Word: viewers
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Dates: during 1960-1969
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Paul is the only Beatle on the back cover of Sergeant Pepper's whose back is facing the viewer, which indicates strongly that the Beatles may be trying to single him out for something. LaBour also mentioned the fact that, in the inside photo of the album, McCartney is wearing, on his left sleeve, a patch reading "O.P.D.," which means "Officially Pronounced Dead," and, on his left breast, a medal awarded to dead British Army heroes. It happens, however, that the "O.P.D." could just as easily be "O.P.P." ("Ontario Provincial Police") and that George is wearing the same Army medal...
...black and white, one-reeler and can shoot one with relatively little expense. The lighting is used effectively throughout the film and is especially impressive in the day-to-night transitions. The angles used are carefully thought out and yet are not so artsy that they intrude upon the viewer's appreciation of the film. This taste for successful angles is coupled with a consistent awareness of composition. Attention to composition is especially apparent in shots of groups of two and three people...
...quick-paced ending of the film comes unexpectedly, since it follows two inordinately slow scenes of the protagonist walking in Boston and riding in a car. The length of these scenes leads the viewer to expect the film to taper...
...important themes in the film and in the Nouvelle Vague movement-Paris and Parisians. Stolen Kisses is punctuated with unmistakable Parisian landmarks-the Eiffel Tower, the Musee du Cinema. Sacre Coeur a Parisian cafebar a street-cleaning car early in the morning -which serve constantly to remind the viewer of the setting...
...scenes revealing the heart of each society-an elite ball and a company dance in modern times, the wedding at Cana for the Biblica lera. His portrayal of each society is entirely different in dramatic action and shooting style; a unique flavor of each way of life reaches the viewer. Each character is completely one with his society. There's an integration of every character's existence and emotion not equalled in his later films, which are based on moral differences. The sets and the action of background figures often seem filled with the sentiments of the principals...