Word: viewers
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Dates: during 1990-1999
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...tombstone. Then she says she wants to be buried next to her mother and stretches out, comfy, on the ground. What's going on here? Is this a cemetery or a campsite? Spontaneous emotion or a piece of avant-garde performance art for the mass audience? The flummoxed viewer is at a loss to decide. Madonna gives great mind jobs...
...Persian Gulf, will include TIME stories and charts, scores of unpublished photographs, sound recorded from radio and TV, and files from our correspondents in the field. Users can call up different pieces of information at the click of a mouse. Says executive editor Dick Duncan: "It gives the reader-viewer a first raw cut of history...
...judged separately from the content. But to demand that only the former quality be the basis for judging a work's value is to deny art's role in human life and its purpose of conveying and influencing human thoughts and experiences. The value of a work to the viewer and society--which is what the NEA judges are judging when they allocate our society's money--depends on both style and content...
...worth of the work of art can be best illustrated by a less controversial example. Few would find fault if a prize were awarded to Richard Wright's Black Boy rather than to Mein Kampf. In these cases, judges must consider the total value the work presents to the viewer or reader and whether they feel morally justified in promoting the work and the beliefs that are inextricably bound...
...photographs in the exhibit are organized in two series: the "Individual in a World of Structure" and the "Grand Jatte' Series." To be honest, were it not for the sparcity of figures in the former series the viewer would not be able to determine where one series ended and the other began. The confusion is compounded because in both series Royal frames construction and industrial forms, and the way humans interact with them...