Word: viewers
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Dates: during 1990-1999
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...between the artist and the viewer, and broadens the experience of a work from the individual to a group. "I guess what Agitprop hopes to get is some kind of common experience, common enthusiasm, "Weisman says. "It's our responsibility to bring art to them...
...heart. One of Brooks' cardinal rules: Let's not be afraid of emotion. The strongest episodes are those (like "Lisa's Substitute," "Homer Alone," "Like Father, Like Clown" and "Bart the Lover") that reveal the bedrock fondness, desperation and loyalty that bond this or any other frazzled clan. A viewer can feel awe at the show's cascading wit and still purr at the sweet, deep sentiment. Hail, Simpsons! May you live another 100 episodes at the same apex of quality...
...responsibility for the God-complex which leads him to play with the lives of others. Collard shows Jean having sex with random men in abandoned buildings, picking up people on the street and engaging in his fetish, being urinated on. Squeamishness is what Collard is counting on in the viewer, but the eventual emotion evoked is not pathos but repulsion...
...proximity of the announcer to the action (is that the apt word for golf?) brings the viewer closer to the rowdy action in the stands. Which brings me to another point: Why is the game so precious that the players must perform under complete silence...
...movie's opening is promising--using the same computer animation techniques that made "Aladdin'"s magic carpet-ride sequences so impressive, the "camera" follows the flight of a bird, zooming and swooping in toward an animated Paris. This perspective is realistic enough to make the viewer slightly queasy, but, sadly, seems to have eaten up most of the film's budget--the rest of the movie is nowhere near as technically advanced. The backgrounds are largely static, with the animated characters looking out of place moving over them, as is especially evident in the musical number "Thumbelina" which introduces...