Word: viewing
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Dates: during 1940-1949
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...view of the fact that there has been some confusion considering the purpose of the Harvard Society for Industrial Democracy in taking part in the anti-UMT rally sponsored last Saturday by the Harvard Committee for Wallace, we would like to make it perfectly clear that our participation in no one way should be taken as an indication of our support of Wallace or Wallace-principles...
...cartoons that Daumier produced for the republican papers La Caricature and Charivari were like so many knives hurled at his enemies, the Bona-partists and the bourgeoisie. Time has dulled their politics but not their bite. The French government's selection of them on view in Manhattan last week looked at first glance like enormously artful propaganda, but an onlooker circling the gallery could forget that they were propaganda, forget that they were art, and accept them as pictures of the real thing-life in Paris a century...
Jaundiced View. Kalmus' ambition is to have all A films made in Technicolor. The biggest obstacle at present is his own company; it needs six months to get out color prints and moviemakers hate to wait that long. Otherwise, most moviemakers would probably be glad to make all their A pictures in Technicolor. The Government takes a different view. As owner of the onetime German company, General Aniline & Film Corp., the Government has a three-color process of its own. It claimed that Technicolor deals with moviemakers - and others - were making it hard to market General Aniline...
...York. Its immediate success brought two more banks-and worries-for Banker Hamilton. "'Tis impossible," he wrote in 1791, "but that three great banks in one city must raise such a mass of artificial credit as must endanger every one of them, and do harm in every view...
...Naked City (Universal-International) is the last, and in some ways the best, of the late Mark Hellinger's pictures. It opens with a magniloquent sunlit air view of Manhattan and with Hellinger's voice, talking of his town with as happy pride and affection as if it were his year-old son, already counting to ten. Then the picture settles down to explore the city as Hellinger knew and liked it best...