Word: viewing
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Dates: during 1950-1959
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...criticized the affidavit "because it is ineffective as a weapon against subversion, offensive to the sensibilities of many loyal Americans, and--in view of the large number of institutions of higher learning which have withdrawn from the loan program because of it--inimical to the success of a most important effort to improve educational opportunities in the United States...
...contempt," roared Lord Beaverbrook's Express. Just as angrily, Nasser's newspaper Al Gumhuria retorted: "Suppose we make not one but a thousand museums to commemorate the horrible attack on us-what business is that of London's?" Stiffening his upper lip, Selwyn Lloyd took the view that Nasser could not have known of the insult in advance...
...editors share Murray's view. Said Taylor Trumbo, managing editor of the Los Angeles Times: "Our main objection to such a service is that it would cut down on the personal planting of news releases. We are visited by any number of planters, and we get to know those we think are reliable and those we might have to check further on." On that principle, the Times refused to let Transmit install its machine...
However, your apparent view that Audience is not interested in undergraduate work is wrong. Most of the past and present editors of Audience have Harvard or Radcliffe affiliations. We have published Harvard undergrads in the past and will do so again. But where are all the good manuscripts? Nothing gladdens old people's hearts (some of us are almost forty) like finding a brilliant new writer.... Firman Houghton '41, Editor...
Nursing a bruised ego and a gift for sketching, the 21-year-old Whistler embarked for Paris and the studio of French Painter Gustave Courbet. From Courbet he acquired his early brush strokes, his first model-mistress, Eloise, and a point of view: "Beauty is truth." This creed spurred the art-for-art's-sake movement with which an entire generation of painters and writers thwacked at the Victorian taste for the didactic, the sentimental and the morally elevating. From London (where he moved in 1859), Whistler deployed his canvases like troops in this avant-garde campaign. The fury...