Word: viewing
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Dates: during 1970-1979
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...bank stated at its annual meeting that "economic isloation" would not in its view eliminate apartheid and concluded that "the promotion of trade and investments and the support of economic development within South Africa will prove to be a most important vehicle for correction of the problem of apartheid...
...United Auto Workers Douglas Fraser will offer a prospectus tonight on the possibility of a labor third party in America and an inside view of the Carter administration's co-optation of labor...
...Herman tells us that he's a movie actor, but a movie actor isn't autonomous. He should be a director, attempting not only to control how we see him, but how we see everything. Often we see Herman from his "own" point-of-view, standing outside himself, and often we appear to see other characters from his perspective too--but what about the scenes where he's not around and doesn't find out what's happened until later? Is it Fassbinder's vision or Herman's? Does Herman have only intermittent directorial control? There are clear-cut fantasy...
...themselves as figuratively or literally on a stage. Fassbinder displays a similar interest in form, and a feeling for intricate vision detail to match Stoppard's verbal relish. Match this pair with Nabokov, with his witty, self-conscious prose and playful pokes at literary form and point-of-view, and you have a threesome so finely tuned that they practically exclude the rest of us. Add Dirk Bogarde, one of Britain's most mannered, fastidious actors, and it's no surprise Despair is impenetrable...
...view Stoppard's conception from the Eisenstein cinematic angle--that film should not aim to recreate reality as it is but as the filmmaker sees it, that the film director should use every cinematic resource to present his vision visually and aurally to to the viewer in such a way that the viewer has no choice but to experience it emotionally. If you accept this line, Despair, with its struggle between life and art, real reality and film reality, could be the quintessential film, almost an apotheosis of cinematic form. Well...