Word: viewings
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Dates: during 1950-1959
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...Dmitry Shepilov accused Britain, France and Israel of planning "new aggression" against Syria, Lebanon and Jordan, and Radio Moscow bristled against Turkey and Iraq. Just in case Syria's anti-Communist neighbors were genuinely worried about a foray from Syria, the U.S. State Department announced that it would view "with the utmost gravity" any threat to "the territorial integrity or political independence" of any member of the Baghdad Pact. This was also meant to remove from Turkey and Iraq any pretext for moving into Syria...
...word was coined for this kind of view: Titoism. Tito has once met Gomulka, who made "a very favorable impression. He is a worker, rather modest and reticent." Gomulka was less impressed by the vain Tito, privately referred to him as "a fat swine." When Stalin expelled Tito from the Russian family, Polish Communist leaders concurred in denouncing Tito, all except Gomulka, who said: "I don't know who is right or who is wrong, but we must end it all without publicity. We must find a compromise." He refused to attend a Cominform conference in Rumania where...
...toward Burma and Formosa; but a good deal, if not most, of the talking centered around what Nehru will tell President Eisenhower about Chou when he visits the U.S. later this month. "Now is the time," Chou told U.S. reporters, "to establish better relations. Perhaps that is not the view of the United States, and perhaps John Foster Dulles does not like me, but maybe our successors will be able to get together...
...began echoing, and are echoing still, in musicomedy, novels, memoirs and even women's fashions. To produce an echo that would come closest to what the '20s would call the real McCoy, television turned to its indispensable ally, the cinema. Four film searchers took 800 hours to view all they could find of the decade's imprint on celluloid. Out of it they culled 23 hours of film for NBC Producer Henry (Victory at Sea) Salomon and his Project 20 staff. This week (Thurs. 10 p.m., E.S.T., NBC) TViewers can see the result: The Jazz Age, which...
...significance of the aesthetic unbalance. But there are many levels upon which Shahn is working to portray this figure of man washed upon the shore denuded of humanity and life as if he were a stone. The picture next to it, Death on the Beach, an enlarged and different view of the body helps to get at the deeper meaning of this picture which has such personal significance for the artist. There are other opportunities in this exhibition to follow the development of an idea by the artist. Patterson, for example which begins like one of the bleak building fronts...