Word: viewings
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Dates: during 1960-1969
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...herself. The film consists of Marker's visions of Tokyo, his visions of Koumiko, his visions of Tokyo as tempered by Koumiko, and Koumiko's visions of herself as interpreted by Marker. Instead of treating these sequentially, Marker intercuts these segments, making sure to indicate clearly which point of view is being given. Multiple points of view, equally valid and independent, destroy any direct causal relationship between Koumiko and the city of Tokyo. Both exist and are conscious of each other, but to explain Tokyo would no more solve the Koumiko mystery than explaining Koumiko would solve Tokyo...
...from the screen. In one sequence, we see Koumiko walking down a street next to a man whose face is obscured by a mirror he is carrying. Koumiko herself is not reflected in the mirror. She repeatedly looks to her right, then turns her head to see the same view in the mirror. As she does so the film switches back and forth between black and white and color. Marker thus presents us with visions which are qualitatively different, yet does not comment on their respective validity. That they both exist is sufficient...
MAME cavorts in her inimitable style, with Janis Paige playing Auntie in North Tonawanda, N.Y., Aug. 4-9; Wallingford, Conn., Aug. 11-23. Elaine Stritch stars in Hyannis, Mass., Aug. 11-16; Edie Adams in Devon, Pa., Aug. 11-23. The musical is also on view in Brunswick, Me., Aue. 18-30: Woodstock, N.Y., Aug. 5-17; and Charlotte...
...American public takes a generous and forgiving view of Ted Kennedy and his Chappaquiddick troubles...
...submerged bulk of past history. Besides her other gifts, Doris Lessing, is at all times, the lady novelist--and a good one, too. If her sentences sometimes seem too explicitly diagnostic in an effort to delineate complex emotions, she nonetheless never loses a dark, undercut ting humor. Her cynical view of society's absurdities is often quite brilliant, as when she describes...