Word: viewings
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Dates: during 2000-2009
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...talked about the history of church and current theological doctrines, followed by questions from the audience. When asked about the issue of polygamy in an interview before the event, LDSSA Vice-President Morgan T. Pope ’11 pointed out that the general public sometimes held an outdated view of Mormon beliefs. “People still associate us with polygamy even though it’s been more than 100 years out of practice,” he said. Last year’s questions focused on Mormon’s missionary work since not many people know...
...access both main characters’ interiors. The climax is written in fragmented phrases from the rest of the series, strung together to suggest the onslaught of associative memory inside the characters minds. McCafferty is at her best in first-person, but this change in point of view deals appropriately with the questions of narrative and memory that “Perfect Fifths,” uniquely, seems to engage. McCafferty takes this one step further when Jessica discusses the merits of using third-person writing in a narrative therapy project to empower high school girls...
...throughout these poems is to Gerald Manley Hopkins, the 19th-century British poet and Jesuit Priest. Hopkins himself struggled to understand the world and did so by finding God behind the exquisite beauty he saw in nature. Wright’s poems find beauty as well, but his world view is much more nebulous than that of Hopkins. “Who was it who first said, ‘The kingfisher falls through fire’?” asks Wright, twisting around the opening line of Hopkins’ famous poem, “As Kingfishers Catch Fire...
...technology—a conflict embodied in Della, a blogger, and Cal, an established field reporter. While it bemoans the current crisis in print media, the movie also hearkens back to a not-so-distant past when investigative journalism had the power to change politics. It is a view that is at once sentimental, nostalgic, and not entirely unproblematic. However, it really doesn’t matter much in the context of the movie as a whole. “State of Play” seems much more concerned with keeping us intrigued than playing out a debate about...
...problem lies not in the dynamic between the two men but rather in the seemingly arbitrary twists and turns of the plot. The film’s end carries no sign of redemption, little trace of failure, and a wealth of ambiguity. This outcome makes it difficult to view the film as either a commercially successful blockbuster or an intelligent social commentary. “I’ve never loved anything as much as that man loves music,” Lopez says of Ayers, but the movie never actualizes that sentiment...