Word: viewpoints
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...Common Ground on Gun Control? Witness: The Dormitory Murders How Much of Cho to Show? Viewpoint: Va. Tech's President Should Resign Echoes of Columbine Inside a Mass Murderer's Mind What Can Schools Do? The Gun Lobby's Counterattack Where Cho Bought His Deadly Weapon Behind the Killings, a Troubled Mind South Korea's Collective Guilt Inside Cho Seung Hui's Dorm When a School Learns to Mourn How to Make Campuses Safer Fatal Shootings at Colleges and Schools Photos
...Common Ground on Gun Control? Witness: The Dormitory Murders How Much of Cho to Show? Viewpoint: Va. Tech's President Should Resign Echoes of Columbine Inside a Mass Murderer's Mind What Can Schools Do? The Gun Lobby's Counterattack Where Cho Bought His Deadly Weapon Behind the Killings, a Troubled Mind South Korea's Collective Guilt Inside Cho Seung Hui's Dorm When a School Learns to Mourn How to Make Campuses Safer Fatal Shootings at Colleges and Schools Photos
...Common Ground on Gun Control? Witness: The Dormitory Murders How Much of Cho to Show? Viewpoint: Va. Tech's President Should Resign Echoes of Columbine Inside a Mass Murderer's Mind What Can Schools Do? The Gun Lobby's Counterattack Where Cho Bought His Deadly Weapon Behind the Killings, a Troubled Mind South Korea's Collective Guilt Inside Cho Seung Hui's Dorm When a School Learns to Mourn How to Make Campuses Safer Fatal Shootings at Colleges and Schools Photos
...Common Ground on Gun Control? Witness: The Dormitory Murders How Much of Cho to Show? Viewpoint: Va. Tech's President Should Resign Echoes of Columbine Inside a Mass Murderer's Mind What Can Schools Do? The Gun Lobby's Counterattack Where Cho Bought His Deadly Weapon Behind the Killings, a Troubled Mind South Korea's Collective Guilt Inside Cho Seung Hui's Dorm When a School Learns to Mourn How to Make Campuses Safer Fatal Shootings at Colleges and Schools Photos
...specifically to do with the worked landscape and the ways of looking at it. Here [in what was once a country estate] is a very privileged viewpoint, the landscape as seen from a distance. My viewpoint has always been from the other side. That was the driving force in the outside work. But there were also the connections between the inside and the outside. It's not a contradiction for an artist who's committed to working outside to work inside. I live inside, I should work inside occasionally. When I do, I hope that...