Word: views
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Dates: during 1960-1969
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...incumbent upon the Harvard defense, primarily, to keep Yale off the scoreboard, and at least from the Crimson's point of view, it will be an easier assignment than it was last year...
Most middle-aged or older women take a skeptical if not downright hostile view of the new movement, if they have heard of it at all. But younger women, part of a rebellious generation, are fertile ground for the seeds of discontent. They are also having fewer babies, looking ahead to living longer, and thinking more about careers. A study of 10,000 Vassar alumnae showed that most graduates of the mid-'50s wanted marriage, with or without a career, while in the mid-'60s most were insisting on a career, with or without marriage. Women...
Books are the single largest classification in the catalogue; they include works by a predictable pantheon of authors-Buckminster Fuller, Carl Jung, John Cage, Arthur Koestler-and some not so predictable. Particularly recommended are Cosmic View, a 1957 children's book by Dutch Schoolmaster Kees Boeke ("You advance in and out through the universe," says the blurb, "changing scale by a factor of ten") and Stalking the Wild Asparagus, Euell Gibbons' foraging guide to edible wild plants. There are "pop enlightenment" texts on yoga, sense relaxation, self-hypnosis and psycho-cybernetics. Among the catalogue's biggest sellers...
...painters' helpers, they do not emerge from racist attitudes and that these men as well as Ernest May are susceptible to rational arguments for changes in policy. Abusive treatment and war games will not provoke much response from anybody who attempts to conscientiously deal with differing points of view. Regardless of what any individual may feel about Ernest May or any other member of the University, the treatment that the Dean received yesterday was inexcusable and inappropriate...
Another marked result of the progression of Wilder's nastiness from Fortune is the clear phase-out of love and romance as important elements in the director's world view. In the latter, most recent picture, Wilder once and for all stops paying his rather vulgar homage to Ernst Lubitsch's lyricism and reduces love to a mere pawn in the chess game of human greed. Those who were fooled into thinking Wilder had some subconscious joie de vivre underneath his cynicism by his earlier pictures can't possibly believe that after The Fortune Cookie , where he shows...