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...Feminism is a lifelong pursuit of justice, and a lot of it has to do with spreading awareness,” Sun said, adding that the exhibit is a wonderful way to bring a wide spectrum of feminist ideas into public view. ”One of the goals of this exhibit is to make feminism a label people are proud...
...before he “was able to free himself forever [from] the idiot brother and the house.” Faulkner reveals that Jason sells the Compson estate and puts his brother in an insane asylum—effectively dismantling his family’s history. Some might view this ending as tragic, but it is also triumphant. Towards the end of Jason’s entry in the appendix, Faulkner includes the exultations, “He was emancipated now. He was free.” The last remnants of high Southern white society crumble away...
...many Currier singles are connected to each other by “sink rooms,” which are exactly what they sound like. As for exciting upperclassman housing, Currier boasts the 10-(wo)man, several solariums (complete with balconies that wrap around the house and provide a view of the Boston skyline), and several suite concoctions. And don’t worry about lugging your bags up nine flights of stairs when you move in: Currier has elevators. Props for being post-bellum...
...comedy has drastically changed my perception of the book. “The Sound and the Fury” concerns the disintegration of the Compson family, a declining aristocratic Southern clan living on a once-prosperous plantation. The first three sections are written from the point of view of the three Compson brothers: the mentally retarded Benjy, the suicidal Harvard student Quentin, and the cruel and domineering Jason. When I first tried to read the novel in high school, I stopped midway through the third section from spiritual exhaustion. Only after reading the entire novel did the illuminating role...
...utilizing live feed seem to be the consequence of ill-conceived staging, such as the conversation between Ben (Hale Appleman) and Kewpie (a moving Karl Bury) in which both actors are seated on the floor with their backs turned to the audience, with large furniture further blocking them from view...