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...humor is invested in pun and wordplay, a mixture of high-brow and slapstick that may stray too far in either direction for some. The sheer length of the play means the performers are up against the task of sustaining a frenetic pace set by the vigor of Mabel and the Major-General’s introductions. Yet, the constant introduction of new characters and the performers’ unfailing energy generally meet that challenge...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: HRG&SP's 'The Pirates of Penzance' Proves Arrrrr-esting | 4/20/2010 | See Source »

...hoping that, in fact, her musical career has just begun. A gratifying sophomore release from the precocious folk-rock talent, “I Speak Because I Can” endows Marling’s characteristic elegance with a new intensity and an epic, almost theatrical, vigor...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

...verve. The album bristles with intriguing musical touches. Opener “Criminology 2.5,” for instance, features a chorus heralded by resounding trumpet samples, soulful female vocals and trickling piano flourishes. This track propelled further forward by a punchy yet grooved drumbeat and the consistent lyrical vigor of Meth, Ghost...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Method Man, Ghostface Killah, & Raekwon | 4/6/2010 | See Source »

From these many voices, two primary characters emerge to drive the dialogue. Reverend Hickman is “God’s Trombone,” a powerful preacher who discovers the same joy in the vigor and spirituality of his preaching as he had in making “heartfelt patterns of soul-felt sound” on his trombone. Unlike the well-defined character of Hickman, white senator Adam Sunraider—originally named “Bliss” by Hickman, his former foster parent—eludes definition. Little of what Ellison left behind provides...

Author: By Adam T. Horn, CONTRIBUTING WRITER | Title: Ralph Ellison’s Unfinished Manuscript | 4/6/2010 | See Source »

...diagnose these complaints. First, the 3-D makeover. Yes, it is nothing but Warner Bros.' scheme to fleece an extra $3 or $4 from the moviegoer's pocket. Yes, the retrofit adds nothing to Clash of the Titans, and may detract from the film's old-fashioned vigor, as audience's wait in vain for some big monsters-in-your-lap moment. (And it's rated PG-13 - unlike 300, its recent ancestor in the antique-Greek action genre - so the hacked-off-arm opportunities are also limited.) But at least this transfer to 3-D doesn't substantially darken...

Author: /time Magazine | Title: Clash of the Titans: A Hit from a Myth | 4/2/2010 | See Source »

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