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...basis. When I look in the mirror each morning, my face and white beard seem the same as the day before. But in photographs from the 1970s, my beard is completely black. On closer inspection, I notice other changes in my body: more aches and pains, less resilience, less vigor. And my memory may not be quite what it used to be. At the same time, despite the evidence, some part of me feels unchanged. In fact, I feel the same as when...

Author: /time Magazine | Title: Aging Naturally | 10/9/2005 | See Source »

...fire. And I’d say,” he adds enthusiastically, “We’ve got to sign them! We’ve got to do something to help that band out.” It’s clear that his youthful vigor is still there in spades...

Author: NO WRITER ATTRIBUTED | Title: Teen Idols Hanson Refuse to Rest on Laurels | 10/7/2005 | See Source »

...tears through familiar singer-songwriter territory with unfamiliar vigor, guiding us around his spartan sonic landscape. González pays homage at the scattered graves of the many troubled troubadours who fell in wars with themselves (Drake, Elliott Smith, countless others) and respond to the gaudy monuments erected by those who made their mark...

Author: By Will B. Payne, CRIMSON STAFF WRITER | Title: Veneer | 9/30/2005 | See Source »

...nation of the poor is often invisible to the rest of America. Unlike the destitute of other times and places, its inhabitants are not usually distinguishable by any of the traditional telltales of want ... Foreign observers of U.S. urban riots are frequently stunned at the vigor of the American poor. How, they wonder, can a looter claim to be hungry and oppressed, yet walk off with a color-television set as easily as if he were hefting a loaf of bread? ... While no region has a monopoly on poverty, the South comes the closest. Virtually half of America's poor...

Author: /time Magazine | Title: 37 Years Ago in Time | 9/11/2005 | See Source »

...lion has roared back to life with one last sublime work. Saraband, the first film Bergman has directed for theatrical release in 20 years (he announced his retirement after Fanny), is a chamber piece: four characters, 10 dialogues. Yet Bergman, who turns 87 this month, gives the story such vigor and rigor, so much emotional bile and spilled blood, that it would shame a much younger director. Here is no mild afterthought to which a critic nods indulgently. This is a testament of love and anguish from the man who used to be called the greatest living filmmaker. Well, dammit...

Author: /time Magazine | Title: Last Roar From a Legend | 7/5/2005 | See Source »

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