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...into speech at machine-gun tempo. He can rage like a Shakespearean actor over an underling's blunder, yet he is also known for his gentle patience with misfits. He is widely regarded as a conservative, an enemy of much modern art, but he will cogently defend its vigor and experimentalism. Though he knows and likes his job as only a professional can, he has been heard to growl: "God, how I hate...

Author: /time Magazine | Title: Art: Custodian of the Attic | 12/29/1952 | See Source »

...adversities. When we saw that Claus could come down chimneys fully laden without even soiling his trousers (his manner of re-ascent has never been completely explored), and that, after visiting sancta where male feet never tread, he could continue his rounds not a whit diminished in vigor, we began to think of him as indomitable, as a sort of chubby, venerable Superman...

Author: NO WRITER ATTRIBUTED | Title: Yes Virginia | 12/19/1952 | See Source »

...will be ready to "stand up and be counted. We don't pass the buck to the colleges. It is our role to bring boys to the highest degree of maturity possible." All this is just what the Loomis founders wanted-"to train boys to habits of vigor and self-reliance and [to use] every means to attain this...

Author: /time Magazine | Title: Education: Habits of Vigor | 12/15/1952 | See Source »

This is the sort of bang-up action picture that Hollywood often does well, perhaps because it has had so much experience at it. The Turning Point is a good case in point. Leanly written by Warren Duff, crisply acted by a competent cast and directed with vigor by William Dieterle, it is a smartly tooled thriller. Best scene: a tingling climax, in which a syndicate killer stalks Reporter Holden through a crowded boxing arena, trying to draw a bead on him from catwalks high above the stadium...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 3, 1952 | 11/3/1952 | See Source »

...townspeople are mere symbols of good & evil. Nevertheless-and crude, awkward and febrile as it is-The Devil Rides Outside is kept bowling along by pure writing steam. It is often repetitive and frequently staggers to a stop, but it is saved each time by a fresh burst of vigor and intensity. At novel's end the musicologist returns to the monastery, and there is the promise that he will find God and inner peace. Author Griffin did not go back to a monastery. He chose a 40-acre farm instead. But the act of writing Devil...

Author: /time Magazine | Title: Books: Texas Gushers | 11/3/1952 | See Source »

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