Word: vigorousness
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...actor; the other is Robby Benson's lack of one. Newman may be pushing 60 in chronological fact but he looks as if he is barely pushing 50' And while it's inspiring to see his famous piercing gaze undimmed by the passing years, his vigor vitiates his attempt to portray a man to whom death has dropped a broad hint, just as it undermined his try at alcoholic despair in The Verdict & year ago He does his best to hide his glow, but the effort makes him seem absentminded...
...enough as chief of the dreaded KGB for 15 years and as a man accustomed to having his own way. Whatever misgivings they might have had about him, after watching Brezhnev's painful, protracted decline, many had hoped that Andropov, at 69, would project an image of strength and vigor. But soon after taking office, he too displayed the telltale signs of serious illness and completely disappeared from public view for his final 175 days in power...
After Brezhnev's long, debilitating illness, many in the Soviet Union had hoped that his successor would be able to project a reassuring image of vigor and strength. But as early as Andropov's appearance at the state reception following Brezhnev's funeral, many foreign dignitaries were struck by the telltale signs of frailty and age that belied his reputation for mental agility. During the visit of Finnish President Mauno Koivisto in June 1983, Andropov had to be helped to his seat at a Kremlin banquet. When the Soviet leader met with West German Chancellor Helmut Kohl...
This infectious credit sequence is the work of Wayne Fitzgerald and David Oliver, who lent similar magic to the title song from Nine to Five. The rest of Footloose is directed by Herbert Ross, and while it displays spasms of finger-popping vigor, the movie never lives up to-or survives-those first few minutes. Partly this arises from the picture's design. Though it is being marketed with the now familiar multi-media blitz, Footloose means to imitate Flashdance only in its box-office success. Ross and Screenwriter-Songwriter Dean Pitchford have set their sights much higher...
Perhaps annihilation has become an inevitable subject of modern thought, since the safety net of an afterlife his been yanked away. Poetry then takes up the struggle with exceptional vigor, since it is one of the few battles which is both highly personal and (presumably) universal. Critical reaction to the use of death as a theme has varied from bornor to intellectual acceptance, usually depending on the level of abstraction with which the subject is treated...