Word: villain
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Dates: during 1930-1939
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...younger brother Wally," testified Noah Beery, "lost $80,000, but my brother also wants Gilbert Beesemyer to be given another chance." The former movie villain had scarcely done talking when he suffered a heart attack; he had to be assisted out of the room. "My doctor told me not to come," he gasped. "But hell, I couldn't let this fellow down...
...aiding the escape of fugitives from German prison camps, has appeared as the heroine of three cinemas. The first, and most bravura, version was made in the U. S. in 1918, year before Nurse Cavell was reinterred by the British in Norwich Cathedral and Germany took the villain's rap at Versailles. In 1928 British Producer Herbert Wilcox presented in Dawn a more objective edition in keeping with the forgive-&-forget spirit of Locarno. The third, made in Hollywood this year by Producer Wilcox and his brightest star, Anna Neagle (Victoria the Great, Sixty Glorious Years), was apparently designed...
Biggest disappointment Mr. Clark experienced was his discovery that The Phoenix (1875) was not really lost; it was printed in one small edition in 1900. This play he thinks was the first to use the line, "And the villain still pursued her." Most painstaking search was for the script of Metamora: or, The Last of the Wampanoags, first actable U. S. drama about American Indians, and a favorite of Edwin Forrest. This week the Lost Plays series presents Flying Scud, one of six lost dramas by Dion Boucicault. Its claim to fame: the line...
...early passengers was Minta Martin, whom he took ,up precariously perched on the leading edge of the lower wing. Another was Cinemactress Mary Pickford, for whom he played the villain in The Girl of Yesterday, renting himself and his plane for $700 a day. Still another was Musicomedienne Valeska Suratt, who planted three kisses on his cheek after he landed her in front of a crowd in Los Angeles. Blushing Martin ran away, later told newsmen soberly "her air conduct was good...
...spent much time studying U. S. labor. The result is The Stars and Stripes Forever. A strike novel laid in a one-man manufacturing town in Connecticut, it contains no Communist character, goes light on leftist propaganda. Conceit rather than the C.I.O. accounts for the fact that the villain, Tycoon Loring, finally gets the whole town down on him, including the high school football team. With its neat plot and smooth dialogue, The Stars and Stripes Forever is a sort of left wing Satevepost story-an attempt to adapt to left wing fiction the technique of catching gas bombs...