Word: villainized
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Dates: during 2000-2009
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...Abrams), sci-fi has come full circle back to Frankenstein: we have gained too much power over life and made the body into a mere machine. Plots turn on how bodies can be used as recording devices: corpses are psychically "interrogated"; people's memories are stolen by a villain jamming wires up their noses; a murder victim's optic nerve is hooked up to a TV screen to show the last thing she saw before she died. The humans involved have no more volition than a hard drive being reformatted in the shop...
...make a country pull together, and Britain, fractious and dissatisfied with its Labour government until recently, has found a fresh foe: Iceland. The tiny country's benign image as a land of geysers and the midnight sun has been swiftly eclipsed by its new incarnation as the mustache-twirling villain of the credit crunch. Britons - from private individuals to local government, charities and public bodies - have deposited some $34 billion in Iceland's financial institutions, among them Landsbanki, which went into receivership this week, and Kaupthing, the country's biggest bank, which was nationalized on Thursday. After the British government...
...manufactured, outlandish, or cliché that they lose their link to reality and irritate rather than amuse. There are some mildly interesting plot twists involving the identity of Alison’s boyfriend and the emergence of Lawrence, Sidney’s immediate superior, as a convincing villain. Likewise, the always-engaging Bridges, in a loose play on legendary Vanity Fair editor Graydon Carter, is entertaining—though in truth this may be due more to his mesmerizing gray wig than his actual performance. And when the buffoonery shtick is kept to manageable levels, even Pegg produces some amusement?...
Heroes' canvas is too vast to tell if the show is fixed yet. One weakness is the need for better villains. Uber-baddie Sylar (Zachary Quinto) is up to his old tricks; his menace and mission (stealing superheroes' powers by killing them) are too familiar to be scary anymore. He's a popular villain, but Season 3 will have to figure out how to avoid becoming his hostage...
...misdeeds kept him busy for two decades in the flesh pits of (gasp!) St. Louis, Mo. He's one of these erudite wastrels like Stephen Dedalus who quote scripture freely, but unlike Dedalus, you can't imagine him touching anybody, even himself. He's more like Lovelace, the libertine villain in Clarissa: a devout person's idea of what a scoundrel might be like. And if we don't know, really know, why Jack left Gilead, we cannot feel what it costs him to come home...