Word: villainized
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Dates: during 2000-2009
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...shame No Country for Old Men doesn't officially open till Nov. 9, since it has a villain crazier, scarier and more implacable than any Halloween horror ghoul. As incarnated by the great Javier Bardem, Anton Chigurh is a killer from hell who likes to play mind games with his victims before he makes them play dead. How could an ordinary fellow like Llewelyn Moss (Josh Brolin) hope to elude this monster, when Moss has $2 million that Chigurh plans to get back without saying please...
...will fall in love with the poor boy, or that people will choose to express themselves by bursting into song - surely the goofiest is the one at the heart of the traditional Western: that the good guy will be the best shot. Does that make any sense? Surely the villain will have had more practice, and with more live targets. Surely he will not wait for a sporting opportunity to murder. Yet there he is, at the wrong end of Main Street, about to be perforated by the unerring trajectory and superior moral gumption of the man in the white...
...prime supporting roles for Fonda as a no-illusions bounty hunter and for Ben Foster, who's deliciously pernicious as a kill-crazy kid. But this splendidly satisfying film finds its essential heft and depth in the taut face-off between a tortured good man and a charming villain--an existential conversation, at gunpoint...
...liked old gentleman who turns out to have had a secret life. That's where the dwarf comes in; he was in on the secret and thinks he has a right to some portion of the old boy's estate. He's also what the movie has for a villain, not so much for his monetary claim, but because he has some compromising evidence that threatens both the solemn decorum of the occasion and everyone's fond memories of the deceased...
...worried back then about an overmedicated society; in 1956, 5% of Americans were on tranquilizers. But today 7% of Americans are on antidepressants (many more have tried them), and ads have touted the drugs for ordinary problems like fatigue, loneliness and sadness. Still, drug companies aren't the (sole) villain in this story. As Allan Horwitz and Jerome Wakefield point out in their incisive new book The Loss of Sadness: How Psychiatry Transformed Normal Sorrow into Depressive Disorder (Oxford; 287 pages), we now have a "legal drug culture" built around the widely accepted idea that feeling blue is an illness...