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...consciousness and ideology mattered to Americans, when a genuine American workers' movement seemed possible, and when some of the country's most brilliant minds gladly collaborated with the working class. The Left has tended to forget how much it let the Communists occupy the center of the stage. The villain of Aaron's piece is the American Communist Party, as servile and stupid a group of men as ever tried to engineer a cultural revolution. For, if there is one theme linking his loose collection of episodes, it is the destruction of American cultural radicalism at the hands...

Author: By Joseph L. Featherstone, | Title: The Literary Left | 3/14/1962 | See Source »

Your story on automation and unemployment [Dec. 29] unfairly casts the electronic computer as the principal villain. Only a small percentage of computers are involved in the automation of production-the major cause of unemployment. The use of computers in the office, to perform scientific calculations, to keep records and to analyze trends, has resulted in the creation of jobs. Most office employees whose work has been taken over by computers have been transferred to better jobs within the same company...

Author: /time Magazine | Title: Letters: Jan. 12, 1962 | 1/12/1962 | See Source »

Anxious to rescue history from simple moral judgments, historians have been restoring the reputations of many a traditional villain. Richard III, Metternich, Aaron Burr have all been readmitted to civilized society and admired for their "realism." But no one (outside Germany) seemed to have thought of scrubbing up Hitler-until now. In The Origins of the Second World War, Oxford Historian A.J.P. Taylor finds excuses for Hitler and reasons to blame nearly everybody else...

Author: /time Magazine | Title: Books: Apologia for Hitler | 1/12/1962 | See Source »

...Lawrence, but the play sometimes slithers toward schoolboy romantics and when-empire-was-in-flower nostalgia. No amount of skilled acting can wholly conceal that General Allenby (John Williams) is a stock pukka sahib, that the commander at Deraa (Geoffrey Keen) is a stock sweaty Turkish dog of a villain, and that Auda Abu Tayi (Paul Sparer) is a stock native chief, corrupt but endearing...

Author: /time Magazine | Title: Theater: Hero as Riddle | 1/5/1962 | See Source »

...sizes, synchronized in what Disney & Co. call "animotion." Singer Sands, who most of the time is about as hard to swallow as a Vaseline sandwich, suddenly pulls on a fright wig and does a brilliant bughouse turn as a batty old bag who reads tea leaves and such. And Villain Bolger is granted at least one grand line. "Come!" he calls sepulchrally to his comic accomplices. "Let us lurk...

Author: /time Magazine | Title: Cinema: Nursery Crhymes | 12/15/1961 | See Source »

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