Word: villainized
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...soso. The film has moved too slowly, and Andy Griffith in his first movie role has been uneven and never quite convincing; but Patricia Neal has provided a sensitive study of what it is like to be in love with a hokum Yokum. And then the villain hits the top. He goes hog-wild, and so does Director Kazan. Instead of keeping the menace down to life size, the script permits its corn-fed psychopath to sphacelate through the U.S. social body like some malignant growth, until he actually threatens to take over the Federal Government. As the driving force...
...Wynder told the American Association for Cancer Research, meeting in Chicago, that the villain is not present in tobacco leaves in their natural, unburned state. His research team proved this by extracting tar from cigarette tobacco without burning it: the resulting substance produced virtually no cancers when painted on the backs of mice. But batches of the same tobacco were burned at varying temperatures, and the tars extracted. Tar from the lower-temperature-burning ranges (560° to 720° C.) produced few or no cancers. From 800° to 880° C. the number of cancers increased sharply. Conclusion...
...campus. Jocko's hands are clean because so many others' are dirty; nobody dares to talk for fear of expulsion. After that, the camera watches with morbid fascination as the event, like an evil serpent, tumbles out coil after coil of consequences that ultimately crush the villain. His final lagonies make quite a spectacle...
...coin. When a young hellionaire (Philip Reed) murders his wife's boy friend. Lawyer Chandler finagles an acquittal. For the next hour or so the pattern of the plot looks like something perpetrated by a drunken silkworm. Is the sheriff (Jack Carson) the crook? Is the hero the villain? Is the lawyer the defendant? Does anybody care? Actor Chandler seems to care deeply, because he tries so hard, but his performance never really hits the target. He cannot seem to distinguish between beau and Darrow...
...most of his independent productions. Actor Alan Ladd is able to deliver almost nothing but corn. For a moment now and then the wide screen opens on the blond infinities of Kansas grassland, but then it quickly narrows focus to the usual picayune plot: hero in trouble, villain (Anthony Caruso) in black, redhead (Virginia Mayo) in stays, weakling (Edmond O'Brien) in his cups. Then come the cattle drive, the big stampede, the solemn walk through the swinging doors, the bang-bang-bang that puts the audience out of its misery. Somewhere along the line this picture even manages...