Word: villainized
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Thus, Oliver Cromwell, the hero to so many English historians, is Churchill's villain. He considers the Lord Protector− who, invoking God's will, ordered 3,000 men put to the sword in one day-a warning to all those who would be willing to kill others in order to improve the survivors. Says Churchill: "A school grew up to gape in awe and some in furtive admiration at these savage times . . . The twentieth century has sharply recalled its intellectuals from such vain indulgences...
...course, the villain gets his just deserts, and that ain't razzberries, but for some incomprehensible reason the moviemakers felt called upon to wail at his wake. "He was the most hated man on earth," says Yvonne, in hushed, almost reverent tones. "But he could have been one of the great men in history. He was a genius." Which is rather like praising a man-eating shark for being Best of Breed...
...just that where he once had the brothel-keeping Mrs. Warren's daugh ter break with her mother, he has the munitions-making Undershaft's daughter end up blowing kisses at her father. It is not that he should make Undershaft not only no villain but a charmer. It is that he should make him not only a charmer but a hero. It is that he should suggest that the best way to keep half the world well-fed is to blow up the other half...
...villain of Doubting Thomas is called simply The Agency, a coldly indifferent organization with life-and-death powers over the people. Directed by the Supervisor, its countless computers are crammed with data that can be fused into terrible, final judgments by the flick of a switch. And The Agency is never wrong. Thomas of the title is a district agent of The Agency, hated by the people of his district, and returning each night to a termagant wife and a supercilious daughter. But for two days every year Thomas is transformed into that classic figure of irreverence, a clown...
...large scale. Their "ranch," a domain of 596,000 acres, is the setting of some huge social affairs--mostly weddings and funerals--and a number of magnificent fights, all staged by director George Stevens with an eye for grand effects. The aura of grandeur surrounds even the villain of the piece, a rather boorish ranch-hand who finds oil on a little piece of land which the boss' sister leaves him, goes on to cover the rest of the state with oil wells...