Word: villainized
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...also to an orphan girl about to be bound out for five years. Both, through appropriately creditable motives, become embroiled with the Budapest gendarmarie, and hide away in an abandoned bear den. They are joined by a monkey, a little boy lost, and in the nick of time the villain. The role of the latter is promptly and gratifyingly usurped by a midnight sortie of lions and tigers from their cages. The picture also begins to escape at this moment. For the rescue of both one is admiringly grateful to Rajah, the bull elephant...
...Ernest Torrence planned to be a musician. He wrote the music for a play called The Lady from Lyons, was first baritone for the Savoy Opera Company in London. His lanky 6-ft. 4-in. physique, tufted eyebrows, gargoyle nose and prickly Scotch burr soon made him a popular, villain. His first cinema, in 1912, was a talkie: an experimental version of Faust made at the Edison laboratories. His whiskers became really famed in the U. S. after Tol'able David, in which he was a Kentucky feudist with a homicidal mania. When he heard that $1,000 salaries...
Died. Ernest Torrence, 54, cinemactor; of complications after an operation for gallstones: in Manhattan. Born in Scotland, he began his career as a concert pianist, later sang in London comic operas and musical comedies. He entered cinema in 1922 as the villain in Tol-able David, skyrocketed to fame in the part of rangy, gangling Bill Jackson (The Covered Wagon...
...tune is his undoing. When he goes again to buy a funny balloon, the peddler who sells it to him recognizes his whistle, signals a confrère. The confrère bumps into the villain, slaps on his back a chalk M to identify him. The thieves and beggars follow him, corner him in the storeroom of an office building. They take him off to face their kangaroo court in the cellar of a deserted brewery. His psychopathic defense-"You are criminals because you want to be! I am one because I cannot help it!"-is about to fail...
...hole. An African courtship followed and the heroine settles down with the author of the book. The cultivating continues as before. Shaw places Christ, Mohammed, and Voltaire unmistakably on his own level, but this is naturally Shavian. He plays the part of the here while the part of the villain is left to Jehovah...