Word: villainized
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Outside of a conventional telephone conversation for the beginning and the villain's change of heart at the end, Lou Tellegen's "Underneath the Bough" at the Colonial is distinctly at play of an unusual type...
...discretion, to recognize that both will persist, and that, in fact, their fields of endeavor do not overlap. The moving picture, able to change the scene, or setting of the action in an instant, so that everything, the ship-wreck, the escape by aeroplane, the hanging of the villain, all take place before our very eyes, is undeniably the most effective means of presenting those stories of action which depend for their chief interest on the interplay of incident. To put William S. Hart on the stage and confine him almost exclusively to words, would be to revive...
...Matona, Lovely Maiden," Lassus "With Drooping Wings"("Dido and Aenaeas"), Purcell "My Bonny Lass," Morley "Song of Destiny," Brahms PART II. Ave Maria, Franck "The Nightingale," Weelkes (a) "Dieu, qu'il la falt bon regarder," (b) "Quant j'ai ouy le tambourin," (c) "Yver; vous n'estes qu'un villain," Debussy "O Gladsome Light," Kastalsky "Echoes," Sullivan "Sun and Moon," Gretchaninoff "Gypsy Life," Schumann The Nicene Creed, Gretchaninoff...
...Matona, Lovely Maiden," Lassus "With Drooping Wings" ("Dido and Aenaeas"), Purcell "My Bonny Lass," Morley "Song of Destiny," Brahms PART II. Ave Maria, Franck "The Nightingale," Weelkes (a) "Dieu, qu'il la fait bon regarder," (b) "Quant j'al ouy le tambourin," (c) "Yver, vous n'estes qu'un villain," Debussy "O Gladsome Light," Kastalsky "Echoes," Sullivan "Sun and Moon," Gretchaninoff "Gypsy Life," Schumann The Nicene Creed, Gretchaninoff...
...France" are quite wonderful and divine enough in historic fact, without adding sugary heroics in order to pamper a public taste as cheap as dirt. The crime of her trial and death are in all belief bad enough without inventing impossibly fiendish detail and a demonaic bishop for villain. Incidentally, the authoress of "Joan the Woman" seemed to have been rather hard put to it to present a good group of Frenchmen as the soldiers of the Maid and an equally good group of Englishmen compelled by cruel History to be her murderers. There seemed to be a vague impression...