Word: villainized
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...charming and not too effusive and Mme. Darmand took advantage of the comic elements in the role of Choice, "fat and forty," but still a devotee of romance. R. D. Skinner '15 was effective as the jealous husband, although his expressions at times bespoke rather those of the villain of melodrama. M. Darmand was a masterly Claude Barrois, thoroughly finished in his action and singularly successful in change of mood. The minor parts were fairly well presented, in spite of a certain uneasiness of gesture and posture. L. W. Coleman '16 in the opening act was admirable as Justin...
...performances will commence at 8.15 o'clock. The cast of characters: John, an office boy, R. L. Whitman '14 Miss La Rose, a chorus lady, F. W. Hubbell 1G.B. Miss May Belle, another, J. A. Cook '13 Charles Blowman, a manager, G. S. Silsbee '13 Antonello Sanchez, a villain, S. Nichols '13 J. Augustus Wyman, a plutocrat, H. C. Everett '13 Elinor Wyman, his daughter, V. Freedley '14 Frederick Van Wyck Fortescue, a boy hero, P. M. Hollister '13 Barrett Booth Dustifoot, a trajedian, J. K. Hodges '14 Washington Bagley, a janitor, J. A. Milholland '14 Zachariah Hay, the country...
...with the accompanying dance, was extraordinary without being mortifying. Osborne found it as difficult to stay in his part as in his costume, but the song was one of the hits of the show. B. Moore '08 as the anarchist, marred what was otherwise a clever burlesque of the villain of melodrama by continual overemphasis. He is potentially the best actor in the cast, but fails to "arrive" on account of such faults as a noisy and meaningless spatting of his hands and a reluctance to let go of his consonants. F. M. Gunther '07 proved himself worthy...
...better. In "The Elixir" O. Bates has a weird idea, which he handles with rapidity and effect. H. Hagedorn's story is interesting, and would have deserved more space if the author had been ambitious to tell us more of the internal processes of the mind of the villain...
...fiction in the number "The Villain pro Tempore" is the best, and deals rather cleverly with the experiences of an amateur upon the professional stage. "Freshmen and Dreams" belongs to the class of "then-he-woke-up" sketches, which have long since ceased to be amusing...