Word: villainized
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...should be looking over their shoulders." And the role lets Grant hone his dazed-and-confused act. While he disputes that he has been typecast, he concedes that he is looking forward to working on the new Woody Allen film in July, in which he gets to play a villain...
Clinton's passage from honored guest last June to universal villain today has been abrupt. For a man given to feeling the pain of others, his initial damage control was not good. Touring tornado wreckage in Oklahoma the day after the bombing of the Chinese embassy, the President paused to offer his "regrets and profound condolences" but neglected to apologize. This was an insensitive lapse for the Chinese, who have rankled for decades because of Japanese politicians stretching syntax to avoid apologizing for their country's wartime aggression. With their prickly sense of national pride, the Chinese are quick...
...hangs over his ascendancy. We are meant to root for the boy when he finds himself in a plane cockpit during the climactic battle (he could be a kid sneaking a drive in his dad's Lamborghini), yet we know that the budding hero will later be a super-villain, as if Aladdin were to grow up to be Jafar...
Packer divides the character of the evil, hunchbacked Richard into separate roles played by three different actors (Paul Monteleoni '01, Marisa Echeverria '00 and Henry Clarke) in a skillful but rather conspicuous, representation of the central villain as a piecewise amalgamation of three distinct personalities. Although one should be suspicious of any theatrical performance that is compelled to provide a verbose description and justification of the director's interpretation in the program, Packer relies more on the performance than the program to present her concept of the three Richards convincingly...
...play begins powerfully, as the first Richard (Monteleoni) crouches in an eerie green light in the center of the stage and delivers the difficult "I shall prove myself a villain" soliloquy with a brilliant sense of introverted evil. The first Richard, the so-called Master of Ceremonies, hobbles around the stage in a whirlwind of action, murdering his way to the English throne. Monteleoni's performance is particularly pointed during Richard's outrageous, paradoxical, yet effective, seduction of Lady Anne (Amy Piper '99), who plays her role with convincing passion, reacting to the death of her husband at the hands...