Word: villainizing
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...eight conspirators are clearly both villain and victim. Colonel Rheault was a "can do" officer reflecting the machismo he thought John Kennedy embodied. The CIA's signals were ambiguous. This was a war without finely drawn lines, geographic or moral...
...book (with Randolph Scott). He has gone farther than the older picture did in straightening and strengthening the plot -- about a besieged fort, the ill-timed attempt of the commandant's daughter to join her father there and the anarchy that follows his surrender. Even Magua, the treacherous Indian villain of the piece, played with deadly relish by Wes Studi, is given a good motive for his dastardliness, the dignity of his otherness and even allowed a nanosecond of pity for one of his victims. Above all Mann has seen to it that something spooky, suspenseful or just plain action...
...decisively out of fashion that THE HAT SQUAD looks downright fresh. The new CBS series, about three brothers who wear black fedoras as members of a police special-crimes unit, is in many ways the most preposterous new show of the season. In last week's premiere, the villain, a sadistic ex-con, was an unstoppable monster straight out of Friday the 13th, and the action scenes (including a bungee-jump knockout) made Road Runner cartoons look realistic. Still, creator Stephen J. Cannell (The A-Team, Hunter) has a knack for vivid characters and punchy dialogue, and he invests...
...didn't want to make her a macho woman," he says, "or a sultry, coquettish uber-vixen curling on a penthouse couch. We wanted her tied deep into female psychology. Female rage is interesting: we made her a mythic woman you can sympathize with. Catwoman isn't a villain, and she isn't Wonder Woman fighting for the greater good of society. That has no meaning for a lonely, lowly, harassed secretary toiling away in the depths of Gotham City. But she does have her own agenda. She's nobody's toy. She's a wild card -- the movie...
...McKellen's Richard III is arrestingly cruel and humorless, all chill and absolutely no charm. Not for him the leisurely glories of the play's language or the seductions of direct address and droll comedy to woo an audience. In a role that can epitomize the concept of the villain one loves to hate, McKellen avoids anything lovable or even approachable. This production, which has won raves from London to Cairo to Tokyo and which opened a 16-week, six-city U.S. tour last week, is an unrelenting portrait of the rise of a dictator, assailing equally the tyrant...