Word: villainizing
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Filmed in Jamaica and New Orleans, with scenes yet to be shot in Harlem, the movie takes Agent 007 to the fictional island of San Monique, where Mr. Big, the first black villain in a Bond movie, runs a heroin-smuggling ring. There Bond-played for the first time by Roger Moore, star of TV's The Saint -meets a telepathic beauty named Solitaire (Jane Seymour), a black double agent (Gloria Hendry) and the usual assortment of outrageous villains, their seemingly indestructible henchmen and an obstacle course of hazards that would have sent even Superman running for his Valium...
...villain, whom Sheed labelled the priest of the group, recognized his restless neighbors' need for community ritual, approving their matings and swappings and supplying them with the necessary sports, parties, and outings. His nemesis, and the figure closest to a hero that Updike could then manage, embodied freedom and real earthiness, wells of love for individuals. He was, in short, a throwback to a time when a man could build his life straight up from the ground. He only appealed to his friends' and ladies' private affections, ignoring their needs for social exposure, and was thus destroyed. Unfortunately, the novel...
Like their predecessors, the new immigrants perceive the true goddess of America, Technology, not as villain but as savior. The factory, however sordid or boring, has legally limited hours and, customarily, provides a string of fringe benefits. "Adam Smith" points out in Supermoney: "Somebody who has spent 16 hours a day looking at the wrong end of an ox for sub-subsistence on a patch in Poland may not complain at all when he emigrates with a paper suitcase to a steel mill on the South Side of Chicago." The message is quite clear: in the history of American immigration...
...everyone in the land of Supermoney is a villain. For instance, there is Warren Buffett, manager of a private investment fund that grew to $105 million at the incredible appreciation rate of 31% compounded annually over 15 years. Buffett was not exactly one of your Wall Street hotshots. Headquartered in a pleasant residential section of Omaha, he rarely talked to the security-analyst savants of New York City, and operated on the out-of-date theory that a stock should reflect a company's intrinsic value...
...DOCUMENTARY'S only villain is Premier Pierre Laval. His personal behavior casts him as such in the film's context of what is ugliest about the French: their anti-Semitism. They embraced the ideology of race purity using stricter criteria than the Nuremberg laws. Newspapers blamed France's defeat on "foreign elements." Doctors used the Gestapo to rid themselves of Jewish competitors. In the cinemas films played like The Jew Suss, which warned against interbreeding. Especially distressing is a newsreel of the memorialization of France's first anti-Semitic "authority" coupled with views of a touring exhibit...