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Word: villainizing (lookup in dictionary) (lookup stats)
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...G.I.s called it "Yokohama asthma and were almost right. It is not confine to Yokohama, but to port cities like it-ringed around by hills, with varied industries fouling the air. Careful tests rule out pollens as a major cause of the asthma convicted smog as the villain. A team of Army doctors reports: "By smelling the air late in the afternoon, one could predict with considerable accuracy the number of patients who would seek medical attention that evening...

Author: /time Magazine | Title: Medicine: Yokohama Asthma | 1/10/1955 | See Source »

Even normally warm-blooded people should enjoy one aspect of this movie. Produced way back in 1946, it affords today's moviegoer a rare chance to watch a political villain who is something other than a Communist...

Author: By Stephen R. Barnett, | Title: The Stranger | 1/5/1955 | See Source »

...week's end the TV Christmas season got off to a superb start with NBC's color spectacular, Babes in Toyland. Comedian Jack E. Leonard finally hit his TV stride as a bumbling villain; there was Wally Cox, Dave Garroway, a brace of excellent clowns and a fine magician, and the TV children as well as Dennis Day were pleasantly inoffensive. With all their help, Victor Herbert's tuneful old musical was translated into one of Max Liebman's best TV shows...

Author: /time Magazine | Title: Radio: The Week in Review | 12/27/1954 | See Source »

...hero-and villain-of the professional basketball arenas this season is a small board with blinking lights, set close to the playing area at each end of the court, in plain view of the players, officials, spectators and TV cameras. When a team gets possession of the ball, the board flashes the number 24. Then the numbers dwindle downward, changing every second. This warns the team in possession that it must try for a basket before 24 seconds have elapsed. Otherwise, it loses the ball to the opposing team...

Author: /time Magazine | Title: Sport: 24 Seconds to Shoot | 12/20/1954 | See Source »

Whatever his mistakes, Director George More O'Ferrall can take credit, with Cameraman Jack Hildyard, for a powerful use of the camera to catch a mood. Hard and clear as the Syrian villain's eye, the frame takes in a stupefied huddle of tropical port: the tiny, eyeless box-buildings, the hot grey roads, the depraved palms, the dirty water that slides about the harbor. Beneath every scene is the sense of the black human jungle waiting to swallow all importance, and down upon everything blasts the terrible sun, like a pagan god who has come too near...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 13, 1954 | 12/13/1954 | See Source »

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