Word: villainizing
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Escape is also a powerful true bill against Naziism's ruthlessness. The villain of the story, rather than any individual, is the system. Its personification is in the machinelike personality of a Prussian general (Conrad Veidt), the helplessness of a sympathetic Nazi doctor (Philip Dorn...
...freedom"), there are no harangues on fascism in general; and the spectator is relied upon to hate the Nazis out of his own accord. In fact the rescuer of prisoner Nazimova is the uniformed concentration camp doctor, a Nazi and a lovable chap besides. As for the general, villain of the drama, he fills his part with such dignity and dapper looks that he elicits more admiration than hisses...
...judging by Monday night's sprinkled and hesitant laughter. In fact, the whole attitude of the audience today seems far too polite for a playwright used to the bantering of the "pit." The Elizabethan wits must have lambasted Malvolio as enthusiastically as the later 19th Century hissed the villain. His first appearance bedecked with yellow garters probably unloosed a storm of mirth and ridicule. A little more of this boisterousness would be a welcome addition...
...Villain Still Pursued Her" is second on the bill but is its first, and sole, attraction. It is solid, old-fashioned stuff with explanatory asides and soliloquies and even a moral. Anita Louise makes a lovely flower of innocence, but the big black villain (Alan Mowbray) steals the show (his attempts to steal Anita are foiled in time...
...themselves on their fellows by turning frontier bandits, it is good in precisely the ways hundreds of Westerns have been good before: the train robbery, the chase through the sagebrush, the last great scene where false men and true shoot it out until the gun finally drops from the villain's luckless hand. Good shot: the Dalton gang, fully mounted, jumping from a speeding train...