Word: villainizing
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Actor Smith. "As late as 1916, when I was sheriff of New York, the parish needed funds, so we produced Boucicault's The Shaughraun in the basement of the church. I played Corry Kinchela. the villain. . . . The hero was played by James J. Walker, now Mayor of the City of New York. ... I have often said that my prominence in them [amateur theatricals] played no small part in bringing me to the attention of the people of my neighborhood, which, unquestionably, in time to come, had something to do with my elections...
...become criminals than children of large communities, added Columbia's Hugh Hartshorne. A friendly classroom atmosphere is one of the most powerful influences on child character. "Moving pictures do not contribute to delinquency," said Philadelphia's Phyllis Blanchard. "I have sat in motion picture theatres and marveled. . . . When the villain is caught, as is always the case under the policy of those who make American motion pictures, the applause of the children is swiftest and most enthusiastic...
...want their accounts investigated, a government investigator, and the investigator's wife who was once-and still is-in love with the banker's son. People who go to the movies every night will have trouble making out who is the hero and who is the villain and this difficulty will not please them. Most expected shot: H. B. Warner deciding to quash the indictment...
...most inexcusable, unreasonable, contemptible, diabolical, damnable and pusillanimous falsehood ever conceived in the twisted, corrupted, diseased, poisoned, fiendish mind of a black-hearted villain and assassin" was last week isolated and thus described by Mississippi's Governor Theodore Gilmore Bilbo in a formal address to the State Legislature. Governor Bilbo had been charged with attempting to peddle a Mississippi bond issue to a Nashville, Tenn. bond house, at a loss to his State of $85,000 and contrary to law. In a 5,000-word message he denied the charge. The same message asked each legislator to donate...
...those film detectives who combine social welfare work with their profession, and Lois Moran, act and talk competently and at times with distinction. Somehow they subdue the silliness of their material enough to make it distantly credible. The scenarist has retained continuity in spite of the propensity which the villain shares with the hero of traveling amazing distances for very little reason. Silliest shot: love among the camels...