Word: villainness
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...Forgetting Sarah Marshall’ was a laugh because it was all about restraint,” said Brand. “For a supporting role I had to be kind of measured and gentle; the key thing for me was making a sympathetic villain, a character [whose] function was to antagonize the protagonist, to fuck him off because I’ve got his bird. But in this film the character’s back on drugs, the arc is built around his conduct and his behavior and it’s sort of a double-act with Jonah...
...this convergence of interests, the army's support for Abhisit's emergency decree does not appear certain. A day after the decree was issued, the military had yet to take action. Perhaps the military fears another May 1992, in which by cracking down on protesters, it will become the villain. Perhaps new deals are being struck. Or maybe the high command is still preparing its plans for clearing the streets. The next few days may tell. But when Abhisit appeared on national television to announce emergency rule, he was flanked by politicians - and noticeably no generals...
...role as Sonny, and it just feels even more stilted and awkward. Hayden Church’s performance is more compelling. As a primarily comic actor—he played the sex-crazed bachelor Jack in “Sideways” and the laughable villain of “George of the Jungle”—he is good at balancing a sense of humor with the demands of playing a more serious, troubled character...
Undeniably, grieving people do crazy, melodramatic things. But Sarandon here is unfairly saddled with unsympathetic actions; indeed, she's turned into what amounts to the villain of the piece. Grace is mean to Rose, oblivious to her other son, the pill-popping Ryan (Johnny Simmons from Hotel for Dogs) and cold and cutting to Allen. But unlike the mother figure played by Mary Tyler Moore in Ordinary People, Grace isn't really cold. We know she'll come around eventually - this isn't a movie with tricks up its sleeve - and the wait grows tedious. (See pictures of movie costumes...
...thoughts of an upright clerk who slowly loses his moral compass while jockeying for control of a distillery, and the tenancy of its grand courtyard home, after the Japanese owner flees following liberation. The titular confidence man of "The Toad" is less sympathetic a creature. A perfectly satanic villain - a man of wealth and taste with oiled hair, a serge suit and breath that reeks of grilled beef, garlic and soju - he schemes with a skinflint landlord in Seoul to con a starving old buddy whose family appears to survive on an occasional sweet potato...