Word: villainness
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Dates: during 1990-1999
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...mean to frighten the kids; Tarzan is not Oedipus Rex. It's a Disney coming-of-age comedy-drama in Lion King territory, with five radio-friendly tunes written and sung by Phil Collins. It has a standard villain: a grating white hunter (whose musculature nicely mimics Kerchak's, thus suggesting their similarity as imperfect male role models for the boy). It has a reeeeally cute baby baboon. It enfolds our hero in a dream jungle, painted in the lushest of sherbetty forest colors and shot in a new, virtual 3-D format called Deep Canvas that vivifies the scenes...
...should be looking over their shoulders." And the role lets Grant hone his dazed-and-confused act. While he disputes that he has been typecast, he concedes that he is looking forward to working on the new Woody Allen film in July, in which he gets to play a villain...
Clinton's passage from honored guest last June to universal villain today has been abrupt. For a man given to feeling the pain of others, his initial damage control was not good. Touring tornado wreckage in Oklahoma the day after the bombing of the Chinese embassy, the President paused to offer his "regrets and profound condolences" but neglected to apologize. This was an insensitive lapse for the Chinese, who have rankled for decades because of Japanese politicians stretching syntax to avoid apologizing for their country's wartime aggression. With their prickly sense of national pride, the Chinese are quick...
...hangs over his ascendancy. We are meant to root for the boy when he finds himself in a plane cockpit during the climactic battle (he could be a kid sneaking a drive in his dad's Lamborghini), yet we know that the budding hero will later be a super-villain, as if Aladdin were to grow up to be Jafar...
...play begins powerfully, as the first Richard (Monteleoni) crouches in an eerie green light in the center of the stage and delivers the difficult "I shall prove myself a villain" soliloquy with a brilliant sense of introverted evil. The first Richard, the so-called Master of Ceremonies, hobbles around the stage in a whirlwind of action, murdering his way to the English throne. Monteleoni's performance is particularly pointed during Richard's outrageous, paradoxical, yet effective, seduction of Lady Anne (Amy Piper '99), who plays her role with convincing passion, reacting to the death of her husband at the hands...