Word: villainness
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Dates: during 2000-2009
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...known as ignudi. Michelangelo studied the anatomy of the male torso intensively. It's no secret that he was attracted to men, but he also used rippling muscles and contorted postures to express emotion, drama, suffering and even deep religious feeling. In the red chalk studies for Bible villain Haman, for example, the figure is seen side-on, his body twisted toward us, his crucified arms in extreme perspective. His despairing figure is reduced to fragments: the first drawing concentrates on his torso and legs and his strained posture. On the next sheet are his arms and upper torso...
...summer when he stumbled upon the inspiration for his senior thesis in an Avignon bookstore. The Harvard theater veteran fell in love with “Knock,” a classic French comedy by Jules Romain, upon first reading. The play follows the rise to power of the villainous Dr. Knock against the backdrop of medical hysteria in a small French town.Surprised by its lack of renown in the United States, he set about researching its history and adapting the script for American viewers, using more colorful, conversational language. Burkle’s creation—which will serve...
...That drama, which features two brothers--one a rising politician, the other a small-time crook--is set in Providence, R.I., but also explores fate and circumstance in the mournful, urban-blighted Northeast of a generation ago. "Without getting too highfalutin," says creator Blake Masters about the trend toward villain protagonists, "post-9/11, we hit some of our darkest days, and now we're in a war that will go on for years against an enemy we can't understand. One of the things we can do in TV and movies is explore that stuff...
...about it. Frazier is dealing with a psychotically-calm bank robber, but his personal life is a mess. He is embroiled in a fraud scandal at work and has a girlfriend who is pushing for marriage. So we have the cop-with-something-to-prove and the mysterious British villain (actually, Clive Owen might be playing American—his accent is a bit hard to pin down); toss in a shady power broker (Jodie Foster), and you’ve got yourself a perfect Friday night crime thriller...
...robbers are the good guys and the fun is in seeing them pull off their convoluted plot). It is hard to cheer for both sides at once, but the movie makes it possible (no telling who wins in the end, though) by directing all our antipathy towards another, separate villain (who happens to have Nazi ties...