Word: villainness
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...just to the trilogy of Star Wars, The Empire Strikes Back and Return of the Jedi, but also to his first features, THX 1138 and American Graffiti. It has the gifted, driven misfit; the young woman above his station but not beyond his dreams; the mystic guide, the imposing villain, the comic sidekick. Yoda, Obi-Wan Kenobi, the evil Emperor and Darth Vader are here--all of them 30 years younger, some barely recognizable. There are lots of battles and a cool drag race. It's a George Lucas movie...
...Ulrich Noethen's sensitivity and well-timed moments of seriousness. The initial reticent demeanor of Robert (Ben Becker), the stout blond baritone, belies his generous spirit. Even Bootz, the surly anti-Semitic pianist, is ambiguous; his character demands to be examined before he can be classified as a villain...
...image in the good times, the deeper the grave they dig in the bad. Sports media works in black and white--you win or you lose; you're quiet and hard-working or you're disruptive and lazy; you're Jordan or you're Iverson, hero or villain...
...image in the good times, the deeper the grave they dig in the bad. Sports media works in black and white--you win or you lose; you're quiet and hard-working or you're disruptive and lazy; you're Jordan or you're Iverson, hero or villain...
...have charm to burn, the film mostly simmers. Like Camille's theatricals, the Anne Rapp script dawdles through predictable Southern Gothic plot twists that a real writer like Beth Henley would use to showcase memorably bent characters. Rapp's idea of character comedy is to have the movie's villain literally caught with her hand in the cookie jar. This little essay on greed and blurred bloodlines is another footnote to an Altman career that is fast becoming all footnotes...