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...remains for fantasy, for risque comedy or high melodrama? Do big-screen heroines engage in safe sex? Bisexuality was a popular metaphor in '70s entertainment, but it is hard to picture a film like Sunday, Bloody Sunday being made now. Its sexually ambivalent central character would clearly be a villain. Five years ago, Beyond Therapy, an amiable stage comedy about bisexuals, was well received in London, but audiences at screenings of the forthcoming movie version are uneasy with it. Even to blase sophisticates, bisexuality is becoming ethically questionable...

Author: /time Magazine | Title: The Big Chill: Fear of AIDS | 2/16/1987 | See Source »

...smarts, humor and goofy-gorgeous smile. And he gives Russell the movie. In the past she has mainly graced the films of her husband Nicolas Roeg. Here she emerges as a golden girl with looks that kill. Separately, Russell and Winger make movie history: a detective and a villain, both women. Together, they fuse as a feminist femme fatale...

Author: /time Magazine | Title: Cinema: The Ghost of Alfred Hitchcock | 2/16/1987 | See Source »

Most of the critics cite the 1978 deregulation of airline competition as the villain in this erosion of confidence in the system. While deregulation has reduced fares and opened air travel to enormous numbers of new passengers, the era of do-or-die rate-cutting competition has pressured carriers to slash costs and take risks. No one claims that safety rules have been relaxed. Indeed, the vast majority of controllers, pilots and federal inspectors are working hard and competently to avoid accidents. But, says Jerome Lederer, founder of the private Flight Safety Foundation, "from now on the problem will...

Author: /time Magazine | Title: Air Traffic Control: Be Careful Out There | 1/12/1987 | See Source »

...conflict plays itself out in typical movie fashion, with the villain triumphant and then paying the price. But by the end of the film it doesn't seem to matter. The platoon and its politics are the extent of the universe for these grunts, but amidst all the killing and terror and death, justice, poetic or not, has no meaning...

Author: By Peter D. Sagal, | Title: Over the Rambo | 1/9/1987 | See Source »

...falls in love with the moll while they dodge crackers and crocodiles in bayou country. Bullets perforate every bit player in the Vieux Carre, O.C., but keep missing the star. Floorboards creak at propitious moments; tinderbox hotels refuse to go up in flames; heroine watches helplessly as hero and villain fight to the death...

Author: /time Magazine | Title: Cinema: Green and Red for Christmas | 12/29/1986 | See Source »

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