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Word: villains (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...proposing to her during a flying mare. Flesh (Metro-Goldwyn-Mayer). Poor old Wallace Beery does not have a very happy time in the Cinema. He is too ugly to be a hero, too lumbering to be a comedian, too much of a numbskull and oaf to be a villain. He is, in short, a character actor and like most character actors he usually winds up (in the parlance of the type he customarily impersonates) behind the eight-ball.* In The Champ Wallace Beery was a sad superannuated pugilist. In Flesh he is a German wrestler named Polikai, gentle, generous...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 19, 1932 | 12/19/1932 | See Source »

...Director Storke. When he arrived in Manhattan ready to buck the U. S. producers, who used to be supreme with 60% of the world's production, the conference knew he was speaking not for himself but for his master, the company's chairman and the true villain of the scene in the eyes of his competitors. This man is Alfred Chester Beatty, a U. S. expatriate who lives in London, was 23 when graduated from the Columbia School of Mines in 1898. Since then he has traveled the world, turning up whenever a big mining development was starting...

Author: /time Magazine | Title: Business & Finance: Africa Speaks | 12/19/1932 | See Source »

...awful" murder or horrible deed were discovered. The heroine is beautiful, but elusive. "Her mind is . . . like a jewel contained in a most beautiful casket." The hero is a brunette; and like the protagonists in Horatio Alger stories, he begins a peasant boy, to rise to great heights. The villain has the miraculous ability of always appearing suddenly at the crucial moment to torment his victims. And there is ever present mysterious music and the clanking of armor...

Author: By R. M. M., | Title: BOOKENDS | 12/13/1932 | See Source »

Monroe Owsley, who has been a cinema cad so often that his last name sounds like a pun, tries hard to be an oily villain but his part, like everything else in the story, is cheaply invented and implausible. The only redeeming feature of Call Her Savage is Miss Bow's performance. Looking slightly more blowzy than she did in the days when she played flapper parts in silent cinema, she shows with enthusiastic violence and a flat, tough Brooklyn accent what such flappers can turn out to be when they grow up. Typical shot: Nasa (Clara Bow), insulted...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 5, 1932 | 12/5/1932 | See Source »

...lady remembers cautiously how her father killed a villain...

Author: /time Magazine | Title: Books: Kentucky Cloud-Land | 11/14/1932 | See Source »

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