Word: villains
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Dates: during 1930-1939
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...doubt very bad-no question about it-that Mr. Hitler is mean to the Jews, and it is a grievous performance. But, what irks me is that these exhibitions of high ethics that my fellow-countrymen indulge in, only occur when the villain is an ENEMY OF THE BRITISH EMPIRE...
...Hindu, while England bled white that rich nation. They exhibited stoic calm while the Irish were starved, killed, ground down. The same calm was exhibited in the case of the Boers, and while the Russian ally of Britain was knocking off some million Christians. But now, NOW, the villain is an enemy -and a much and rightly feared one-of England, and hark to the uproar...
...together earned $4,878, while the largest earnings $30,492, went to 239 waiters including 60 in the Freshman Dining Hall. The new positions as House Athletic Secretaries, created last year, provided 25 upperclassmen with earnings of $4,350. Among its unusual placements the Office supplied the hero and villain for a pictorialized serial in a local tabloid, a man with good eyesight to inspect the life buoys which hang from various bridges in and around Boston, and the Harvard members of a combined Harvard-Radcliffe team which took part in the first trans-Atlantic spelling bee with Oxford. Among...
...combat with a psychological study of a junior officer's hatred for his superior. Between too frequent shots of Errol Flynn's frank; boyish face, there are healthy little sermons about "the criminal lunatics sitting around a big table." For although Basil Rathbone does a good job as the villain, Mars is the real villain. The "poor man's war" angle is unconvincingly put forward, but the flying sequences are good. The picture is sans love interest, with nary a woman...
...tycoon was once a hero of romantic fiction. Of late he has figured more often as the villain in more realistic pieces: such works as Matthew Josephson's The Robber Barons, Oscar Lewis' The Big Four, Ferdinand Lundberg's America's 60 Families. Last week a novel with good prospects of popularity-Agnes Sligh Turnbull's Remember the End (Macmillan, $2.50)-might well make readers wonder whether even popular romancers have begun to look asquint at success stories...