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...from a type of cerebral palsy, researchers in the Audiology Section found that every one of the afflicted children was the product of a mixed Rh ancestry. Now the researchers are checking on other hearing defects, not connected with cerebral palsy, to see whether Rh incompatibility is also the villain...

Author: /time Magazine | Title: Medicine: The Machine Answered | 11/28/1949 | See Source »

Last week, on the same program, Godfrey was inclined to forgive the swoon-happy teen-agers because he had spotted the real villain. He announced that "an over-zealous publicity man was the guy who . . . got 30 or 40 of them right down in the front row and told them that they should agitate and squeal and holler . . ." Then, presenting Bill Lawrence ("the boy you love so much"), Godfrey made one final plea: "He loves your appreciation, but you don't have to squeal. Just applaud him when he gets through...

Author: /time Magazine | Title: Radio: Atomic Blast | 11/21/1949 | See Source »

...quite fills it, and Montserrat has been fattened up by giving the six pawns in the game their grim, gaudy exit scenes as people. As melodrama, Montserrat, though sometimes talky, is oftener tense. As writing, it has much of Adapter Hellman's sharpness and bite: in particular, her villain (well-played by Emlyn Williams) brings a fine sardonic gusto to his villainies...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Nov. 7, 1949 | 11/7/1949 | See Source »

...doubt so glittering a villain helps flatten out the hero: actually, however, Montserrat (William Redfield) is flat in himself and pretty unconvincing in his selflessness. Yet, without carrying conviction as a man, he might still-had the play backed him up-have stirred the imagination as a hero. But the play lacks the simple intensity of heroic drama; it shares its villain's love of tricks, and is too full of jagged effects to produce a sustained emotion...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Nov. 7, 1949 | 11/7/1949 | See Source »

...bits & pieces of half a dozen old Humphrey Bogart thrillers. The movie's weary, grey air is due to its stolid dependence on what has become a Bogart stencil; as a scowling rebel who just wants to be left alone by laws, red tape and good works, half-villain Hero Bogart is repeatedly maneuvered by his better nature into warring against evil. In his recent Key Largo, the malevolent-browed hero blocked the return of Capone-style gangsterism to the U.S., and in the soon-to-be-released Chain Lightning his visionary test-piloting insures the safety of kids...

Author: /time Magazine | Title: The New Pictures, Nov. 7, 1949 | 11/7/1949 | See Source »

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