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...actors do the kind of work that student actors do, but since their characters don't breathe and move quite like real people, they're on their own. Glyn Vincent as Tyler often seems as confused as his character, but he has moments of real charm and passion, bringing his gawk to life. David Thomas's Lester makes it clear that his cynic had a past and is not simply sewn together of one-liners. Peter Fisher's Brad is mature, intelligent and, most difficult of all, a good Listener. Caroline Jones's Missy knows just how O'Donnell wanted...

Author: By Peter Kaplan, | Title: Sleep-away Paradise | 11/18/1976 | See Source »

...fire as barbecue sauce in a heat wave. Andy Borowitz is on target too, in his characterization of Lycus, a gentleman and procurer. He adds just the right dash of street hip, and being skinny with black moustache, owes more than just a nod to Groucho in his delivery. Vincent DiBenedetto, Marc Johnson and Philip Murray take their bit parts (they sing triple as Lycus's eunuchs, slaves and the soldiers of Miles Gloriosus) and polish them until they gleem...

Author: By Joseph Dalton, | Title: That's entertainment | 11/12/1976 | See Source »

Varsity lightweight Chris Vincent added that "the Head is the only race you have to look forward to until spring...

Author: By James D. Auran, | Title: Head Provides Racers Pleasure and Competition | 10/18/1976 | See Source »

...That was my country-terrible winds and a wonderful emptiness." The paintings of Augustus Vincent Tack (1870-1949), an artist ignored by the histories of American art, now seem the obvious relay station between the crags and glaciers of the 19th century sublime and the jagged forms of Clyfford Still. To a New York audience, Tack's extraordinarily subtle paintings, which mediate between abstraction and landscape imagery, will seem almost familiar -be cause they predict and predate so much American painting of the '50s. Even the rhetoric is familiar; one finds Tack in 1920 describing a 'valley...

Author: /time Magazine | Title: Art: Eyeball and Earthly Paradise | 10/18/1976 | See Source »

Well, Altman's legend will not stand on this little contestant, no matter how much Vincent Canby cheers her on from the sidelines. But chalk it up mostly to Altman's never-failing eye for realism. Because once having chosen this metaphor--a band of bad actors for a generation of gun-slingers--Altman portrays an acting troupe as he knows most of them to be--generally hungover, self-deluding, myth-gobbling and over-rated. So the real question remains: why choose this metaphor in the first place? Maybe Altman just wanted to give his real actors an improvising...

Author: By Jonathan Zeitlin, | Title: FILM | 10/14/1976 | See Source »

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