Word: vinci
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...slips back into the poet's mind-and anything is fair game here, from Wright's recollections of his childhood, or a vulgarity he sees scrawled on a gravestone, to his later experiences with the super-natural and the exotic to what he has learned about Leonardo da Vinci during his life. Often ethereal, sometimes convoluted and tortured, the images crawl or sour quietly off the page, so that Wright doesn't just make you taste a grape--he makes you taste a purple grape, with the world "purple" taking on tinges of sunset, foreign lands, juice on the palate...
During the Middle Ages, the ancient sanctity of salt slid toward superstition. The spilling of salt was considered ominous, a portent of doom. (In Leonardo da Vinci's painting The Last Supper, the scowling Judas is shown with an overturned saltcellar in front of him.) After spilling salt, the spiller had to cast a pinch of it over his left shoulder because the left side was thought to be sinister, a place where evil spirits tended to congregate...
...amateur counterpart both entail fireman carries, barrel roles, and navy stacks. But collegiate grappling alone has in many ways achieved the stature of true artistry. The Crimson's Tony Bienstock compares wrestling to the paintings of Winslow Homer, while Medalie sees similarities between his sport and Renaissance Leonardo Da Vinci...
...villainous goblins are revealed as babies, but in the author's view this makes them no less terrifying: What could be more incessant and demanding than an infant? At each turn, Sendak provides illustrations that refer to-and bear comparison, with-the putti of Raphael, Da Vinci's Virgin of the Rocks and the entire school of German Romanticism. The sprung rhythms of the text and the richly allusive paintings do not make Outside Over There inappropriate for children. Even the very young can appreciate the work on its outer level. But only adults can wholly understand...
...were the three greatest draftsmen in the history of Western art? There would be room for argument at the lower end of the ranking (Dürer? Raphael? Ingres?). But of the first two there can be little doubt. One was Michelangelo; the other was Leonardo da Vinci. The bastard son of a Florentine notary, Leonardo was born in 1452 and died in 1519. Almost from the moment that he emerged from Verrocchio's workshop in the 1470s and began his long, peripatetic and disappointed life among the courts of Rome, Milan, France and his home town, Florence...