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American gun love has long preoccupied and puzzled foreigners. So it's appropriate that an all-fired-up allegory on the subject, Dear Wendy, should come from perennial bad boy Danish filmmaker Lars Von Trier (Breaking the Waves), who wrote the film, and his protégé Thomas Vinterberg (The Celebration), who directed. Set in a nameless U.S. town, the movie is framed as a letter written by a pensive idealist named Dick (Jamie Bell) to the love of his life--a handgun. Dick, who abhors violence but is fascinated by the workings and personalities of firearms, has gathered...

Author: /time Magazine | Title: Movies: Sticking to Their Guns | 9/18/2005 | See Source »

...years ago, Danish directors Lars von Trier and Thomas Vinterberg decided to forget everything they knew about filmmaking. Looking for a way to break what they considered bad habits behind the camera - like using music to set a mood or relying on clever editing to boost a weak scene - they drafted The Vow of Chastity, a manifesto with 10 rules to strip cinema down to its barest essentials. The imperatives included that films should be shot in color, with hand-held cameras, on location with no additional props, no soundtrack and no extra lighting. They should...

Author: /time Magazine | Title: Old Dogme, New Tricks | 4/24/2005 | See Source »

...probably also skip Dogville, because I’m not inclined to check out another Von Trier, even if he’s spinning Our Town.  If I have to watch a Dogme man reinterpret Thornton Wilder, I’ll wait for Thomas Vinterberg to take a deranged stab at The Matchmaker...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: Possible Sunshine in a Plotless Year | 3/12/2004 | See Source »

...conference room on the Universal lot, Steven Spielberg showed a couple of guests a printed card. On the card was "The Vow of Chastity"--Ten Commandments of simplified filmmaking, as proclaimed in the Dogme '95 manifesto by directors Lars von Trier and Thomas Vinterberg. Spielberg spoke enthusiastically about Dogme and said he'd like to make a film under its rules...

Author: /time Magazine | Title: Cinema: Putting on the Dogme | 10/11/1999 | See Source »

...Dogme is the hot word in serious film circles. Its precepts were first used in Vinterberg's The Celebration, the family-in-tatters drama that was a worldwide success. Dogme 2 was Von Trier's The Idiots, an aggressive comedy with porno elements. Now come Soren Kragh-Jacobsen's easy-to-take Mifune, about a young businessman who goes home to settle his late father's estate; Kristian Levring's The King Is Alive, set in Namibia and starring Jennifer Jason Leigh; and, opening next week, the first American Dogme film, julien donkey-boy, by genius nasty boy Harmony Korine...

Author: /time Magazine | Title: Cinema: Putting on the Dogme | 10/11/1999 | See Source »

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