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Word: vinyl (lookup in dictionary) (lookup stats)
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...Carlson, a freewheeling entrepreneur who made his first millions selling Gold Bond Stamps, has a gilt complex. He loves gold. The energetic conglomerateur controls the worldwide operations of his Minneapolis-based empire (hotels, restaurants, discounting) from offices reminiscent of that Bondian archvillain, Auric Goldfinger: his gold-embossed telephone, gold vinyl chair and gold-striped sofa are set off by the rich, warm shades of a gold-hued carpet. When Carlson's Gold Bond Stamp operation was at its peak in the 1960s, its executives drove a fleet of company-owned gold Cadillacs. A gold-framed saying...

Author: /time Magazine | Title: Business: Expanding Along with Carlson | 5/14/1979 | See Source »

...company pulled out all the stops for their Spring 1977 tour of North America--they even carted along a full brass section and a concert grand piano--and their Boston appearance was sensational. But as so often happens, this performance lost much of its magic in the translation to vinyl...

Author: By Paul Davison, | Title: Lost In Eternity | 1/15/1979 | See Source »

...distinction of this album is Morrison's poetry, never before fully revealed. Here it is, artfully connected and coordinated by The Door's music, and the result is a vinyl package of a man's mind, and the lingering afterthought of his promise and potential. For all his rock'n'roll stardom, Morrison fancied himself a poet. But he chose death over promise, and what remains is "An American Prayer...

Author: By David A. Demilo, | Title: A Voice Of the Dead | 1/11/1979 | See Source »

...with an interesting snatch of new material: "Everything is Turning to Gold," the B side to the "Shattered" single, and a new single from lead guitarist Keith Richards. Generally good, but good or bad, still the Stones, and so far better than the welter of nugatory bilge they waste vinyl on nowadays...

Author: By Paul A. Attanasio, | Title: Two From Mick and Keef | 1/11/1979 | See Source »

...become substitutes, in people's minds, for the real thing. Mechanical reproduction clumsily mimics but cannot replace the intimate spontaneity and directness of an artist's touch. The clone trade is to real art and its audience what Franklin Mint medals are to numismatists, or vinyl-morocco Great Books to bibliophiles...

Author: /time Magazine | Title: Time Essay: Who Needs the Art Clones? | 12/18/1978 | See Source »

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