Word: violas
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Dates: during 1970-1979
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...black Freedom Riders at a Birmingham bus depot in 1961. He tipped off agents about a bomb shortly before it went off at a Birmingham church, killing four young black girls in 1963. His testimony sent two Klansmen to prison in connection with the murder near Selma, Ala., of Viola Liuzzo, a white civil rights activist from Detroit, in 1965. Then, to protect Rowe from Klansmen's revenge, the Justice Department gave him a different identity and helped him make a new life at an undisclosed location in the Southeast...
...surface. Not only is she intent on a seven-year period of mourning for her brother, but she carries a black fan and even keeps her two sofas draped in black. In private she pops mints into her mouth from a pillbox. In her first meeting with Viola--Cesario she raises a smile by ticking off her virtues--lips, eyes, neck, chin--and then tucking her locket mirror into her bosom on the words "and so forth." She leaves no doubt that she is smitten by the young page since she whips the black drapes off her sofas when...
...eclectic costumes either. The ones for Olivia's household, post-Elizabethan but still European, are passable. But those for Orsino and his attendants are light organdy dresses that seem to have wandered out of some edition of The Arabian Nights. Is this supposed to be a reverse comment on Viola's transvestism...
Even as good an actress as Jean Marsh is not well cast as Viola. She has some fine comic bits, to be sure, but her studied performance in general lacks Redgrave's sparkle. And she scants much of the lovely verse--such as the "damask cheek" speech, which she virtually throws away...
...role of Viola, which contains a good deal of bravura, tends to overshadow the role of Olivia. But the latter is actually a much subtler part, and a harder one to do well. Yet Patricia Conolly's Olivia here is one of the three major roles in which Brandeis surpasses Startford. Conolly never loses a countess's proper carriage, nor does she violate the character's mellowness. In her first meeting with Viola, her veil is too transparent, but her timing in this scene is masterly. And on first seeing the twins together she can put a world of meaning...