Word: violas
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Dates: during 1990-1999
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...intense after that. Every phrase in this movement seemed fraught with some deeper meaning, as ponderous strings led the orchestra to a profound conclusion and a transition to "Sleepy Bones," the last and perhaps loveliest of the movements. A lucid, delicate flute line passed to a low and beautiful viola as this most melodic of the movements progressed to an ending almost beyond endurance in its volume and dissonance...
...people when he hires them: he thinks they're both a boy named "Charlie." Because Cockburn and Gambuto sport such similar attire--black T-shirts, vinyl pants and Jacques Cousteau-type knit hats--and adopt the same earnest tone of voice, Orson's mistake is actually credible. Sebastian and Viola are equally unaware that they are both working for Orson: each presumes the other dead. "Charlie" acts as romantic go-between for Orson, carrying the latter's love-letters to the seductive, sequin-clad club owner Olivia (Vered Metson '01). Complications arise as Olivia and Orson both fall in love...
Like its parent play, Your Own Thing, a rock musical based on Twelfth Night, with music and lyrics by Hal Hester and Danny Apoliner, traces the adventures and misadventures of twins Sebastian (Julio Gambuto '00) and Viola (Chloe Cockburn '01) in Illyria after being separated in a shipwreck. Only Your Own Thing is set in modern times, and the twins are musicians who answer the same ad ("Boy Wanted") and take the same position in a rock band...
...neglecting important themes and literary nuances. Music, for example, is surprisingly subordinate to the plot. It is convenient that the main characters are musicians and musical agents for the purpose of fitting in songs, but music fails to be the full-bodied theme it is in Twelfth Night. Viola's name is, after all, a pun on the name of the musical instrument, and Twelfth Night opens with Orsino's well-known declamation: "If music be the food of love, play on." A disembodied voice delivers this famous line at the beginning of Your Own Thing, then punctures the effect...
...weakness of Your Own Thing is its disturbing and blatantly unpolished handling of the homoerotic themes of Twelfth Night. Whereas Twelfth Night skillfully raises questions about the nature of gender and love, in Your Own Thing, homoerotic love is merely a mistake. Olivia the vamp falls in love with Viola-as-Charlie purely by accident, and Sebastian-as-Charlie steps in soon enough (earlier than in Twelfth Night) to rescue Olivia from the realization that she was really in love with a girl. Orson becomes aware of Viola-as-Charlie's affection for him and paces across the stage reading...