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...Sonata for Viola Solo, Opus 25, No.1, was the first of four pieces from the early 1920's, thus coming from the time before Hindemith was 30 years old. Hindemith, a concert violist himself, was familiar with the sonic abilities of that instrument. The piece was a study in dissonance, brought about by playing on two strings at once. The multiple-stopping was at times very difficult, but Eleftherios Eleftherakis played brilliantly for the most part. The piece and its performance were marked by a great richness of tone and lucidity...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

Works to be performed are the Sonata for Oboe and Piano, Sonata for Viola Solo, Opus 25, No. 1, Sonata Violincello Solo, Op. 25, No. 3, Des Todes Tod, Op. 23a, and Die Serenaden...

Author: NO WRITER ATTRIBUTED | Title: Chamber Music | 7/31/1958 | See Source »

...long standing on the modern flute, also played several kinds of recorder. Mr. Fuller, a concert organist, here showed his skill on a rich-toned harpsichord built in 1955 by the local firm of Hubbard and Dowd. Miss Davidoff played both the 'cello and its quite different predecessor, the viola da gamba. Mr. Senturia, a first-rate oboist, also played on several sizes of recorder; and, in three pieces, he provided the chief novelty of the evening by performing on a krummhorn--a long obsolete, J-shaped woodwind with a light, buzzing tone...

Author: By C T., | Title: Carter Quartet Highlights Concert | 7/24/1958 | See Source »

Passion in the Church. The concerts took place in the 17th century Saint-Pierre Church. There, beneath an improbable altarpiece of gilded cherubs and bare-breasted angels, Cellist Casals shuffled in from the vestry on short, hesitant feet, bearing a brown-grained viola da gamba by the pegs. When he motioned the audience to its seats with his bow, his movements were crabbed with age. But when he began to play, the vast, hollow church filled with luminous, lucid sound, suffused with a passion that is the wonder of musicians the world over. Each night the audience paid Casals...

Author: /time Magazine | Title: Music: The Legend of Prades | 7/21/1958 | See Source »

...organization in the University has a parallel arrangement for administration and membership. The players in the orchestra fall into three catagories: Harvard men who are members of the Sodality, Cantabrigians interested in orchestral music who play a vital but scarce instrument like the viola, and Radcliffe girls who are members of the Radcliffe Orchestra...

Author: By Jean J. Darling, | Title: 150th Anniversary of Pierian Sodality | 4/17/1958 | See Source »

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