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JUDGE M. Edward Viola made it apparent during the trial that his sympathies were not with the Collins group. When one Harvard student testified that he saw no punching during the arrest, the D.A. asked him if he approved of Collins' political philosophy, and Viola added, "You don't like police much, do you?" When a second, unsympathetic, witness testified that she also saw no punching, John Flym, Collins, lawyer, asked her if she agreed with Collins' politics. Viola objected, telling her she need not answer the question. When a third witness for the defense, the only black...

Author: NO WRITER ATTRIBUTED | Title: Taking Care of Collins | 3/24/1969 | See Source »

...came as a surprise move at what were originally expected to be preliminary hearings. A jury trial in he Superior Court is set for sometime in April. It is to be hoped that the Superior Court will approach the evidence with more of an open mind than did Judge Viola. Certainly the evidence surrounding assault and battery and possession of marijuana is at best doubtful, and thus it is hard to avoid the suspicion that Collins and his friends were framed. All that has been convincingly proved thus far is that Collins'' group disrupted some classes at Harvard. Two years...

Author: NO WRITER ATTRIBUTED | Title: Taking Care of Collins | 3/24/1969 | See Source »

Doug Hardin, the captain, is a Group II quantum chemist who play an instrument called the viola da Gamba in a Baroque trio. He spent half of last summer working for the Atomic Energy Commission and half training with the U.S. Olympic Team at South Lake Tahoe, Calif. Doug likes the poetry and art of William Blake and has filled the walls of his Winthrop House room with prints of Blakian angels and devils. "Dauntless Doug," as Coach McCurdy calls him, is the team's foremost expert on the philosophy and psychology of running...

Author: By Richard T. Howe, | Title: Crimson's Cross-Country Runners | 10/4/1968 | See Source »

YOUR OWN THING slides Shakespeare's Twelfth Night into the 20th century with rock music and the unisex look of the with-it generation. Leland Palmer lends rag-doll insouciance to a perpetual-motion Viola...

Author: /time Magazine | Title: Television: Aug. 30, 1968 | 8/30/1968 | See Source »

...unpretentious performance, largely due to the warmth that Daniel Barenboim elicits from the English Chamber Orchestra. The Siegfried Idyll sounds like what it was meant to be: a lullaby. The Schoenberg piece, one of the composer's very early works, and Hindemith's mourning music for viola and strings, have great spirit. Barenboim's first recording of modern works augurs well for the future...

Author: /time Magazine | Title: Time Listings: Aug. 9, 1968 | 8/9/1968 | See Source »

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