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...long black gown and sports a moustache and goatee, looking for all the world as though he had just been sitting for a sober portrait by Van Dyck or Rembrandt. Feste the Clown is dressed in pink and rose, and makes use of hand-pup-sets. The earnest Viola first appears is dark gold; but when she disguises herself as the page Cesario, both she and her twin brother Sebatian (each believing the other drowned) are clothed in white-ruffed cerulean, exuding the purity of Gainsborough's "Blue...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

Peter Stuart is an attractive Sebastian. And, perhaps taking a cue from his remarks, "I am yet so near the manners of my mother," his performance is rather effeminate, which has the virtue of meeting half way that of his twin sister Viola disguised as a boy. Alas, their speech shatters any illusion that they could possibly be siblings, let alone the same person. Stuart's is refined, musical, obviously British-trained; Joan Darling's is edgy, ugly, obviously American. Again and again she murders the meter; and, in her beautiful "patience on a monument" speech and elsewhere, she seems...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

Patricia Peardon makes a beautiful Olivia, though she is not at ease with her lines; and the veils she and her retinue wear when Viola-Cesario first visits her ought to be far less transparent. Elizabeth Parrish needs to invest the part of Olivia's maid Maria with more vivacity. Fabian, her male counterpart, fails in the hands of Julian Miller to leave much of any impression...

Author: By Caldwell Titcomb, | Title: STRATFORD SHAKESPEARE FESTIVAL: II | 7/8/1966 | See Source »

...scarred musician will attest, one of the quickest ways to lose friends is to engage in the precarious art of chamber music. With everyone trying to be boss, squabbles over interpretation can become downright nasty. And with the members of the de Pasquale String Quartet - Joseph, 45, viola; Francis, 44, cello; Robert, 37, and William, 32, violins - it's even more so. They fight constantly. The difference is, they revel in it. But then they are brothers, and this, they explain, is the secret to successful shouting contests...

Author: /time Magazine | Title: Chamber Music: The Brothers Four | 5/6/1966 | See Source »

...Eddy Duchin-like piano at the Pipacs (pronounced Peapatch) nightclub, whose pianist resembles Peter Lorre. Some 620,000 swarmed into Czechoslovakia, to shop the ancient guild houses of Prague, one of the few cities in Europe untouched by the war, or listen to ragtime at such clubs as the Viola...

Author: /time Magazine | Title: Eastern Europe: The Third Communism | 3/18/1966 | See Source »

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