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Attempts at the type of overarching themes that usually elevate Scorsese’s films are disappointingly cursory. Daniels’ violent tendencies lead only to a brief meditation—“God loves violence??it’s what we are,” declares the hospital Warden, musing on humanity—a mere shadow of Jake LaMotta’s trials in “Raging Bull.” Scorsese dabbles with a few bigger ideas, but never latches onto something really worth saying...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Shutter Island | 2/23/2010 | See Source »

Many of the big names in documentary—including Moss, Ross McElwee, and Aflred Guzzetti—teach in the Harvard VES program. Beyond Harvard’s campus, Boston is also home to celebrated documentary filmmakers like Frederick Wiseman (“Domestic Violence??)—“kind of the godfather of cinéma vérité,” in the words of Horovitz—and Errol Morris (“The Fog of War”), compared by critic Roger Ebert to Alfred Hitchcock and Federico Fellini...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

Clark and her researchers speculate that the effects of political violence??which include injury, post-traumatic syndrome, constraints on mobility, and economic strain—prompt men to violently reassert their position of power in the only situation that remains under their control: the domestic sphere...

Author: By Juliana L. Stone, CONTRIBUTING WRITER | Title: War Zone Life Breeds Violence | 2/10/2010 | See Source »

Director John Hillcoat and actor Viggo Mortensen have both made their names with dark, gritty films: Hillcoat with Nick Cave-scripted Western “The Proposition,” Mortensen with a pair of David Cronenberg thrillers, “A History of Violence?? and “Eastern Promises.” It is tempting, then, to suggest that with “The Road,” a bleak, post-apocalyptic travelogue, both men are sticking to what they know...

Author: By Daniel K. Lakhdhir, CONTRIBUTING WRITER | Title: The Road | 11/30/2009 | See Source »

...idea of violent demasking of violence and violence that’s made to look like help.” The brutality of the asylum’s overseers, which they claim is for the good of the inmates, mirrors the Parisian proletariat’s view of violence??epitomized by the guillotine and the storming of the Bastille—as a means to a better...

Author: By Hana Bajramovic, CONTRIBUTING WRITER | Title: Crazy for A Revolution | 10/30/2009 | See Source »

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