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...with James and Em’s irresponsibility.The supporting characters and classic, youthful music keep the film enjoyable. Bill Hader (“Pineapple Express”) deepens his niche as hilarious bit actor with his role as Adventureland’s park manager, whose cool demeanor hides a violent inner aggression. His “Saturday Night Live” co-star Kristen Wiig makes confused faces with the best of them as his spacey wife. The most loveable character could be Joel (Martin Starr), the bespectacled and barely mustachioed carnival stand attendant who considers himself less...

Author: By William P. Hennrikus, CONTRIBUTING WRITER | Title: Adventureland | 4/10/2009 | See Source »

...comfortable. Through the help of incredible archival footage of fights and anecdotal interviews, the audience gains access to lingering memories of Tyson’s fragility, the true measure of his talent, and the forces beyond his control that unfairly contributed to his downfall—his violent childhood in poverty and the emptiness that followed his short-lived glory. Five minutes later, however, Tyson regresses to his familiar routine. “I’m a beast. I’ll eat his children. Praise be to Allah,” he spews, and we?...

Author: By Mia P. Walker, CRIMSON STAFF WRITER | Title: Harvard Alum Packs a Punch with 'Tyson' | 4/10/2009 | See Source »

...punk rock hasn’t come in waves so much as infesations, swarms, plagues of cockroaches. When their way of life destabilized (post-punk, new wave, etc.), the faithful foraged underground to found hardcore—itself the ancestor of pop music’s most violent and dissonant iterations. The lineup and the skulls shaking in the crowd may change, but, beyond all hope and all disaster, punk rock survives.Its survival derives from its credibility, and its credibility, after more than 30 years, derives from its sense of iconoclasm. The underground history of punk is rife with bands...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: The Thermals | 4/10/2009 | See Source »

...producing works of ever-greater beauty and power—and yet, at the end, it is Tintoretto who seems, if not the most supremely skilled, the most challenging, inventive, and creative of the triumvirate.Tintoretto’s canvases occasionally verge on the ugly with deeply shadowed figures, violent brushstrokes, garish colors (a glowing turquoise matched with a browning plum in “Esther Before Ahasuerus”), and unsettling compositions. And yet, even more than Titian and Veronese, Tintoretto seems to constantly challenge and evolve, moving from a Bellini-like beauty to the glowing and ethereally evocative...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: Titian Tintoretto, Vernonese Awe at MFA | 4/10/2009 | See Source »

...take comfort from the knowledge that even its greatest leader had trouble making the transition from revolutionary to democrat. In office, Mandela expressed admiration for autocrats like Fidel Castro and Muammar Gaddafi, and in his farewell speech to the ANC party conference in 1997 claimed South Africa's violent crime was part of a "counter-revolution" engineered by pro-apartheid whites "to render the country ungovernable." But in retirement, Mandela rediscovered his inner democrat, speaking out against tyranny, wherever he found it - even in his own party. In March 2007, at the funeral of Adelaide Tambo, wife of his longtime...

Author: /time Magazine | Title: Why South Africa's Over the Rainbow | 4/9/2009 | See Source »

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